My Dear You
Stories
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- Pedido anticipado
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- Se espera: 7 abr 2026
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- USD 11.99
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- Pedido anticipado
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- USD 11.99
Descripción editorial
From the author of New York Times bestseller Real Americans, a brilliant short story collection about love, life, and the anguish of becoming oneself in a time when it’s so easy to be someone else
The characters in My Dear You find themselves facing extraordinary choices in scenarios that range from the everyday to the absurd: The U.S. government injects all citizens with a drug that makes them see everyone else as members of their own race and gender. God does away with humans in favor of something much better. A woman adopts a cat who conjures the ghosts of her ex-loves. A factory worker decides to befriend a sex doll she is tasked with selling.
These stories go deep beneath the surface, touching on the particular awkwardness of dating in your thirties and asking: What does it mean to be an Asian woman in America? Or an American? Or a human? Along the way, the characters stop to consider interventions from the supernatural, the earthly, the robotic, and the immortal.
Playful, profane, and yet enveloped with profound compassion for life, however you define it, My Dear You takes on dating, marriage, and the pressures of having or not having children; intimacy, memory, race, and capitalism; living, dying, and being dead. At their very core, they are tales of love in its many forms: being in love when you’re not supposed to be, or not being in love but wishing you were; failing at dating apps or finding yourself in weird but wonderful lifelong friendships; struggling in heaven to remember your loved ones.
Ranging from the sinister to the tender, these witty and expertly paced stories will have you laughing out loud one minute and reaching for your best friend the next.
PUBLISHERS WEEKLY
In these provocative stories, Khong (Real Americans) offers well-wrought and intricate depictions of Asian American and Asian life, often with a fantastical or speculative twist. "Serene" follows a worker at a Chinese factory for AI-powered sex dolls who grows attached to a doll whom she trains in conversation. In the wry "Colors from Elsewhere," a woman recovering from a miscarriage learns from her acupuncturist, Dr. Tang, and Dr. Tang's philosopher sister, that she's an alien, prompting her to ask the Tangs, who are Asian and share that they are also aliens, "Is every Asian an alien?" Two stories, "The Freshening" and "D Day," revolve around society-wide transformations: in the former, the U.S. government administers injections to make everyone look white; in the latter, God grows frustrated with the human race's wanton destruction and turns everyone into animals. The less successful stories don't develop beyond their conceits. "The Family O" falters under the weight of the elaborate revenge plot at its center, while "Good Spirits," about a haunted rubber-glove factory, rushes its ending. Throughout, Khong writes about her characters' ambivalence with precision, as when the protagonist of "Colors from Eleswhere" is "troubled" to realize that she's "beginning to feel like herself again." There's much to admire in this assured collection.