A Primer for Forgetting
Getting Past the Past
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- 11,99 €
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- 11,99 €
Publisher Description
We live in a culture that prizes memory – how much we can store, the quality of what’s preserved, how we might better document and retain the moments of our life while fighting off the nightmare of losing all that we have experienced. But what if forgetfulness were seen not as something to fear, but rather as a blessing, a balm, a path to peace and forgiveness?
A Primer for Forgetting is a remarkable experiment in scholarship, autobiography and social criticism. It forges a new vision of forgetfulness by assembling fragments of art and writing from the ancient world to the modern, weighing the potential boons forgetfulness might offer the present moment as a philosophical and political force. It also turns inward, using the author’s own life and memory as a canvas upon which to extol the virtues of a concept too long taken as an evil.
Drawing material from Hesiod to Jorge Luis Borges to Elizabeth Bishop to Archbishop Desmond Tutu, from myths and legends to very real and recent traumas both personal and historical, A Primer for Forgetting is a unique and remarkable synthesis that only Lewis Hyde could have produced.
PUBLISHERS WEEKLY
In this delicate, allusive thought experiment, literary critic Hyde (The Gift) probes the idea of forgetting as a positive act. He ponders three major themes: ways to release a personal trauma, as in the story of an African-American man who publicly accepted a plea for forgiveness from one of his brother's Klansmen killers; ways of moving past collective traumas, such as through the amnesty for atrocities granted through post-apartheid South Africa's Truth and Reconciliation Commission; and the act of self-forgetting, "a technique to help us shed... the mind's buffering blubber of routine." Hyde draws on widely varied references, including Nietzsche and Kierkegaard, literary luminaries that include Nabokov and Borges, and, most fruitfully, classical literature he compares the avenging Furies of ancient Greek tragedy to the "restless, intrusive Unforgettable" of America's history of racial violence. Venturing outside Western culture, he also finds a luminous truth in the Buddhist notion that real awakening comes when one forgets everything but the present moment. An elegant exercise in philosophy and form, Hyde's meditation on forgetting as an act of clarity offers stimulating contemplation of the odd paradox that "memory and oblivion... cannot function unless they work together."
