Norma
A novel
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- 3,49 €
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- 3,49 €
Publisher Description
From the internationally best-selling author of Purge and When the Doves Disappeared, a spellbinding new novel set in present-day Helsinki, about a young woman with a fantastical secret who is trying to solve the mystery of her mother's death.
When Anita Naakka jumps in front of an oncoming train, her daughter, Norma, is left alone with the secret they have spent their lives hiding: Norma has supernatural hair, sensitive to the slightest changes in her mood--and the moods of those around her--moving of its own accord, corkscrewing when danger is near. And so it is her hair that alerts her, while she talks with a strange man at her mother's funeral, that her mother may not have taken her own life. Setting out to reconstruct Anita's final months--sifting through puzzling cell phone records, bank statements, video files--Norma begins to realize that her mother knew more about her hair's powers than she let on: a sinister truth beyond Norma's imagining. As Sofi Oksanen leads us ever more deeply into Norma's world, weaving together past and present, she gives us a dark family drama that is a searing portrait of both the exploitation of women's bodies and the extremes to which people will go for the sake of beauty.
PUBLISHERS WEEKLY
At the center of Oksanen's ambitious contemporary fantasy novel is the strange hair of a woman named Norma. It grows peculiarly quickly and sometimes uncontrollably, moves in ways that reflect Norma's emotions, and grants her far-ranging abilities to detect other people's physical and mental states. Norma's mother, Anita, spent her life guarding Norma from the world; the two of them have apartments in the same building in Helsinki and are each other's sole confidants. When Anita dies in an apparent suicide, Norma needs to understand her death and begins investigating it even as she is suddenly overwhelmed by the weight of everything her mother kept away from her. Oksanen (When the Doves Disappeared) creates intricate characters and imagery, and the hair plays well as a multifaceted metaphor for various forms of the patriarchal exploitation of female bodies. However, the characters are insufficiently three-dimensional for the conceit to read as more than a metaphor, albeit a well-chosen one.
