Silencio
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- Pre-Order
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- Expected 4 Aug 2026
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- 11,99 €
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- Pre-Order
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- 11,99 €
Publisher Description
A lyrically haunting and powerful account of women surviving femicide and destruction in Mexico, using fantasy to relate atrocities that exist beyond language.
From the award-winning author of the highly praised novel, Fury, one of Publisher’s Weekly’s Best Books of 2024 and an Indie Next Pick.
Silencio tells the story of Águeda, a young woman mourning the death of her mother. When the townspeople deny her a grave in the local cemetery, the mother’s body vanishes. Águeda knows her father is hiding it, and when she confronts him, he punishes her defiance with confinement.
Serving her sentence in a house, Águeda lives within those walls as if in a second maternal womb—one that will transform her. In chapters alternating between the real and the imaginary, she mourns the destroyed futures of those who were silenced as she listens to her neighbors’ stories of loss—a child worker; a boy from the Tacuate community; and Mexican refugees in Canada. Through the walls, she senses the world: birds in dialogue, the beauty of the arid landscape, experiences of love and devastation. She comes to realize that in this mountain region that resembles the author’s hometown of Oaxaca, where organized crime holds sway, many—like her—mourn their dead and search for the disappeared.
In her second book to be translated into English, Clyo Mendoza transcends the limits of language and realism to represent with lyric brutality the unspeakable violence in towns where narcotrafficking rules.
PUBLISHERS WEEKLY
A pubescent girl bears witness to her late mother's habitual rape by her narco father and finds guidance from her mother's spirit in this arresting polyphonic work by Mendoza (Fury). The girl, Águeda, describes the unnamed mother's anguish ("Why does she bury her face in the tears as though they were a tomb?"). The perspective then changes to the mother as she takes poison and dies. Soon after, Águeda's father marries his mistress and silences the grieving Águeda's protests. After Águeda falls in love with a local campesino boy, the father erupts with anger, having promised her to a fellow cartel member. More violence ensues, which Águeda survives thanks to guidance from her mother's spirit. Mendoza blends the family's story with grisly glimpses of failed Indigenous revolutions, as witnessed by birds, a war horse, and other animals, and she weaves in dialogue spoken in Indigenous languages including Tacuate, spoken by a group of children captivated by a horse ("¡Nde'ndiri!"/"We saw it!"). The lyrical animism is juxtaposed with matter-of-fact journalistic accounts of Mexican women experiencing exploitation and heartache in the U.S. It's difficult to piece together, but Mendoza transcends the grim material in countless beautiful passages. Patient readers and lovers of poetry will delight in this demanding but dazzling project.