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Descripción de la editorial
Daniel Quinn, well known for Ishmael – a life-changing book for readers the world over – once again turns the tables and creates an otherworld that is very like our own, yet fascinating beyond words. Imagine that Nazi Germany was the first to develop an atomic bomb and the Allies surrendered. America was never bombed, occupied, or even invaded, but was nonetheless forced to recognize Nazi world dominance. The Nazis continued to press their campaign to rid the planet of “mongrel races” until eventually the world – from Capetown to Tokyo – was populated by only white faces. Two thousand years in the future people don’t remember, or much care, about this distant past. The reality is that to be human is to be Caucasian, and what came before was literally ancient history having nothing to do with those then living. Now imagine that reincarnation is real, that souls migrate over time from one living creature to another, and that a soul that once animated an American black woman living at the time of World War II now animates an Aryan in Quinn’s new world, and that due to a traumatic accident memories of this earlier incarnation assert themselves. Compared by readers and critics alike to 1984 and Brave New World, After Dachau is a new dystopian classic with much to say about our own time, and the dynamics of human history.
From the author of the bestselling novel Ishmael, 1992 winner of the highly controversial $500,000 Turner Tomorrow Fellowship, comes this absorbing cautionary tale imagining a homogenous future society. In 1992 A.D., when the narrator, Jason Tull Jr., the dilettante scion of a famous, incredibly wealthy family, graduates from college, he decides to work for We Live Again, an underfunded foundation dedicated to tracking down and authenticating reported instances of reincarnation. After 10 years and hundreds of dead-end investigations, Jason encounters the case of Mallory Hastings, a 28-year-old librarian from Oneonta, N.Y., who, following a minor car wreck, regains consciousness as a deaf mute. Hoping he has finally stumbled onto the elusive "Golden Case," Jason gains Mallory's confidence. He is ill-prepared, however, to cope with the enormity of his discovery: the person now occupying Mallory's body is Gloria MacArthur, a Manhattan artist born in 1922 A.D. But this is only a hint of a dark, complex conundrum, for the "new" Mallory has scarcely learned to talk when she realizes that Jason's A.D. is not the Christian anno Domini. Quinn's provocative, Orwellian tale imagines that Adolf Hitler beat the Allies to the A-bomb in 1944 and set in place a chilling plan to achieve a world of Aryan perfection. In Mallory/Gloria's brave new world, 2002 years have passed "after Dachau," the chilling A.D. of the title.