Descripción editorial
Akin is a tender tale of love, loss and family, from Emma Donoghue, the international bestselling author of Room.
'If Room forced home truths on us, about parenthood, responsibility and love, Akin deals with similar subject matter more subtly, but in the end just as compellingly' - Guardian
A retired New York professor’s life is thrown into chaos when he takes his great-nephew to the French Riviera, in hopes of uncovering his own mother's wartime secrets.
Noah is only days away from his first trip back to Nice since he was a child when a social worker calls looking for a temporary home for Michael, his eleven-year-old great-nephew. Though he has never met the boy, he gets talked into taking him along to France.
This odd couple, suffering from jet lag and culture shock, argue about everything from steak haché to screen time, and the trip is looking like a disaster. But as Michael helps Noah unearth troubling details about their family’s past, they find they are more akin than they knew.
Akin is a funny, heart-wrenching tale of an old man and a boy who unpick their painful story and start to write a new one together.
'Poignant and hopeful, the bestselling novelist of Room has delivered another exquisite portrayal of an adult and child making their way in the world' – Woman & Home
PUBLISHERS WEEKLY
Donoghue's underwhelming latest features a troubled doppelg nger of the sweet na f from her best-known novel, Room, a foul-mouthed 11-year-old named Michael, whose great-uncle Noah takes him to the French Riviera to save him from the foster care system after Michael's father dies of an apparent overdose and his mother, who is in prison, is unable to care for him. In the present day, Noah, having discovered some photographs taken by his mother during the two years she spent in Vichy France, and wishing to discover their significance, travels to Nice with Michael in tow. Dialogue between the two predominates as they wander about the city, constantly squabbling along predictably generational lines, searching for clues about whether Noah's mother was a Nazi collaborator or part of the Resistance. The reader is soon exasperated with Noah's own collaboration with the author, who won't let him solve the mystery without Michael's age-appropriate technological savvy. This work seems like a pale redux of Room, with its depiction of the wonder of a sheltered boy supplanted by the cynicism of a damaged one, whose voice doesn't always ring true. The gap between Michael's view of the world and the reader's feels less charged than it should be, though the book makes up for it to some degree with a very satisfying denouement. This is a minor work in Donoghue's astounding oeuvre.
