Audition
A sharp, incisive literary summer read
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- 8,99 €
Descripción editorial
**SHORTLISTED FOR THE BOOKER PRIZE**
**LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2026**
**A FINALIST FOR THE PULITZER PRIZE FOR FICTION**
A GUARDIAN, INDEPENDENT and NEW STATESMAN Book of the Year
'Slick, sharp, strange and singular . . . You’ll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital
'A lightning bolt of a novel' FINANCIAL TIMES
'I’m not sure there’s anyone better writing in America today' ALEX PRESTON, Observer
One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love
Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.
Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
PUBLISHERS WEEKLY
Kitamura (Intimacies) serves up a taut and alluring novel about a mysterious relationship between a middle-aged woman and a young man. The unnamed narrator, a well-known theater actor, meets Xavier at a restaurant in New York City. Their first meeting took place two weeks earlier, and the woman doles out sparse and subtle clues in her narration, comparing her lunch with Xavier, now a college student, to one she had with her father in Paris. Kitamura keeps the reader guessing as to whether the characters are mother and son, lovers, or something else. Shortly after the lunch, Xavier becomes more involved in the narrator's life, working as an assistant for the director of a play in which the narrator stars. She reflects on her ambivalence toward motherhood and the long-ago miscarriage she had with her husband, Tomas, after which she had a series of affairs. About Xavier, the narrator is secretive not only with the reader but with Tomas, and his suspicion that they're having an affair threatens their marriage. In the novel's second half, Kitamura further complicates the narrator and Xavier's murky relationship. Throughout, she succeeds in creating a complex and engrossing portrayal of her characters' blurry boundaries. Readers won't be able to put this down.
