Blue Ticket
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- 8,99 €
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- 8,99 €
Descripción editorial
From the author longlisted for the Man Booker Prize and the Women's Prize for Fiction and selected as one of the Best Young British Novelists of the Decade:
An unsettling and addictive feminist fable for fans of Hot Milk, Unsettled Ground and Klara and the Sun
Recommended by Stylist, Evening Standard, Esquire, Red, Daily Mail, Oprah Magazine, LitHub, and Belletrist Book Club
'Be sure to read everything Sophie Mackintosh writes' Deborah Levy
'Definitely don't miss the return of Sophie Mackintosh' Stylist
Calla knows how the lottery works. Everyone does. On the day of your first bleed, you report to the lottery station to learn what kind of woman you will be. A white ticket grants you children. A blue ticket grants you freedom. You are relieved of the terrible burden of choice. Or, to put it another way, you have no choice. And once you've taken your ticket, there is no going back.
But what if the life you're given is the wrong one?
Blue Ticket is a devastating enquiry into free will and the fraught space of motherhood. Bold and chilling, it pushes beneath the skin of female identity and patriarchal violence, to the point where human longing meets our animal bodies.
'Dreamlike, tense, compelling, [with] a pitch-perfect ending' The New York Times
'Gripping, ethereal, atmospheric' Sunday Times
'Thoughtful and haunting' Observer
'Terrifying and enchanting in equal measure' LitHub
'Blue Ticket will worms its way under your skin and haunt your dreams' Red
PUBLISHERS WEEKLY
Mackintosh's haunting, dystopian tale (after The Water Cure) explores the emotional fallout of forced birth control in a near-future society. Once girls begin to menstruate, they go to a lottery clinic and draw a ticket. White means they must bear children; blue means they must use birth control. Calla draws a blue ticket at age 14, and as she becomes a woman, she happily explores her untethered sexual freedom. When she reaches her 30s, she begins wanting a child. Despite her fears that the blue ticket means she is unsuited for motherhood ("Failure to nurture," she imagines a doctor writing on her chart), Calla nevertheless manages to remove her birth control device and becomes pregnant. After her doctor says she must have an abortion, she goes on the run. Calla meets fellow rebel Marisol, and the two women become lovers while holed up in a deserted cabin, determined to give birth before they're caught by the authorities. Mackintosh serves up vivid details of Calla's psychological ordeal in the language of body horror ("I was the chicken I opened up one day only to discover that the stomach had been left in by mistake"), and convincingly conveys Calla's and Marisol's desperation. This tense, visionary drama is a notable addition to the growing body of patriarchal dystopias.
