- 12,99 €
Descripción de la editorial
Together at last. Under the pseudonym Richard Stark, Donald E. Westlake, one of the greats of crime fiction, wrote twenty-four fast-paced, hard-boiled novels featuring Parker, a shrewd career criminal with a talent for heists and a code all his own. With the publication of the last four Parker novels Westlake wrote—Breakout, Nobody Runs Forever, Ask the Parrot, and Dirty Money—the University of Chicago Press pulls the ultimate score: for the first time ever, the entire Parker series will be available from a single publisher.
Parker’s got a new fence and a new plan to get the loot back from a botched job in Dirty Money, but a bounty hunter, the FBI, and the local cops are on his tail. Only his brains, his cool, and the help of his lone longtime dame, Claire, can keep him one step ahead of the cars and the guns.
Featuring new forewords by Chris Holm, Duane Swierczynski, and Laura Lippman—celebrated crime writers, all—these masterworks of noir are the capstone to an extraordinary literary run that will leave you craving more. Written over the course of fifty years, the Parker novels are pure artistry, adrenaline, and logic both brutal and brilliant. Join Parker on his jobs and read them all again or for the first time. But don’t talk to the law.
Master thief Parker wraps up some unfinished business in this entertaining if relatively lackluster entry in this long-running crime series from the pseudonymous Stark (aka MWA Grand Master Donald Westlake). Lots went wrong after Parker and two partners robbed an armored car in rural Massachusetts of $2.2 million in 2004's Nobody Runs Forever. The money was \x93poisoned\x94 (i.e., marked); one of his partners was captured before killing a marshal and escaping; and bounty-hunter Sandra Loscalzo wants to cut herself in on the take. The pragmatic, quick-thinking Parker must find a way to retrieve the stashed haul he and his confederates left in Massachusetts without getting caught by the law or nibbled to death by other crooks. Stark handles the criminal aspects of his tale with his usual panache, but some fans will find Parker's trademark sharp edge less in evidence this outing.