Double Cross
-
-
4,7 • 3 valoraciones
-
-
- 5,49 €
-
- 5,49 €
Descripción editorial
NOW THE INSPIRATION FOR THE ORIGINAL SERIES 'CROSS' ON PRIME VIDEO
'Alex Cross is a legend' HARLAN COBEN
'It's no mystery why James Patterson is the world's most popular thriller writer . . . Simply put: nobody does it better.' JEFFERY DEAVER
Just when Alex Cross's life is calming down, he's drawn back into the game to confront the Audience Killer - a terrifying genius who stages his killings as public spectacles in Washington, DC and broadcasts them live on the net.
In Colorado, another criminal mastermind is planning a triumphant return. From his maximum-security prison cell, Kyle Craig has spent years plotting his escape and revenge. Craig prefers to work alone, but if joining forces with DC's Audience Killer helps him to get the man who put him away - Alex Cross - then so be it ...
'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY
'One of the greatest storytellers of all time' PATRICIA CORNWELL
'James Patterson is The Boss. End of.' IAN RANKIN
PUBLISHERS WEEKLY
Bestseller Patterson's 13th Alex Cross thriller (after 2006's Cross) pits the legendary profiler, now retired from law enforcement and working as a psychiatrist in private practice, against two serial killers. Kyle Craig, Cross's former colleague in the FBI (who was revealed to be the Mastermind, a particularly vicious and resourceful murderer, in 2001's Violets Are Blue), has managed to escape from a Colorado maximum-security prison and is steadily working his way through his list of those he holds responsible for his capture and incarceration. Cross, who heads the list, is drawn back into police work by his love interest, Maryland homicide detective Brianna Stone, who's been assigned to the task force focusing on the D.C. Audience Killer (or DCAK), who stages high-profile and sadistic murders to get the most public attention possible. Even newcomers will find themselves turning the pages to see how everything turns out, but significant plot holes and implausibilities make this a far cry from the similar, but far more suspenseful, two-front war waged by Clarice Starling in The Silence of the Lambs.
