Everything is Illuminated
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5,0 • 1 valoración
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- 8,99 €
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- 8,99 €
Descripción editorial
THE INTERNATIONALLY BESTSELLING NOVEL
ADAPTED INTO A FEATURE FILM WITH ELIJAH WOOD
From the bestselling author of Here I Am, Extremely Loud and Incredibly Close and We are the Weather - a hilarious, life-affirming and utterly original novel about the search for truth
'Gripping, hilariously funny and deeply serious. An astonishing feat of writing' The Times
'One of the most impressive novel debuts of recent years' Joyce Carol Oates, Times Literary Supplement
'A first novel of startling originality' Jay McInerney, Observer
'It seems hard to believe that such a young writer can have such a deep understanding of both comedy and tragedy' Erica Wagner, The Times
A young man arrives in the Ukraine, clutching in his hand a tattered photograph. He is searching for the woman who fifty years ago saved his grandfather from the Nazis. Unfortunately, he is aided in his quest by Alex, a translator with an uncanny ability to mangle English into bizarre new forms; a "blind" old man haunted by memories of the war; and an undersexed guide dog named Sammy Davis Jr, Jr. What they are looking for seems elusive -- a truth hidden behind veils of time, language and the horrors of war.
What they find turns all their worlds upside down...
PUBLISHERS WEEKLY
What would it sound like if a foreigner wrote a novel in broken English? Foer answers this question to marvelous effect in his inspired though uneven first novel. Much of the book is narrated by Ukrainian student Alex Perchov, whose hilarious and, in their own way, pitch-perfect malapropisms flourish under the influence of a thesaurus. Alex works for his family's travel agency, which caters to Jews who want to explore their ancestral shtetls. Jonathan Safran Foer, the novel's other hero, is such a Jew an American college student looking for the Ukrainian woman who hid his grandfather from the Nazis. He, Alex, Alex's depressive grandfather and his grandfather's "seeing-eye bitch" set out to find the elusive woman. Alex's descriptions of this "very rigid search" and his accompanying letters to Jonathan are interspersed with Jonathan's own mythical history of his grandfather's shtetl. Jonathan's great-great-great-great-great-grandmother Brod is the central figure in this history, which focuses mostly on the 18th and 19th centuries. Though there are some moments of demented genius here, on the whole the historical sections are less assured. There's a whiff of kitsch in Foer's jolly cast of pompous rabbis, cuckolded usurers and sharp-tongued widows, and the tone wavers between cozy ethnic humor, heady pontification and sentimental magic-realist whimsy. Nonetheless, Foer deftly handles the intricate story-within-a-story plot, and the layers of suspense build as the shtetl hurtles toward the devastation of the 20th century while Alex and Jonathan and Grandfather close in on the object of their search. An impressive, original debut.
