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Descripción de la editorial
FOUR BLONDES charts the romantic intrigues, liaisons, betrayals and victories of four modern women: a beautiful B-list model finagles rent-free summerhouses in the Hamptons from her lovers until she discovers she can get a man but can't get what she wants; a high-powered magazine columnist's floundering marriage to a literary journalist is thrown into crisis when her husband's career fails to live up to her expectations; a 'Cinderella' records her descent into paranoia in her journal as she realises she wants anybody's life except her own; an artist and aging 'It girl' - who fears that her time for finding a man has run out - travels to London in search of the kind of love and devotion she can't find in Manhattan...
Studded with her trademark wit and stiletto-heel-sharp insight, FOUR BLONDES is dark, true, and compulsively readable.
The author whose name is synonymous with her novel Sex and the City weighs in again with four loosely linked tales that form a sexually charged and withering analysis of how New York's--and London's--women work feverishly at their relationships, meanwhile trying desperately to make their names. In the first chapter, the bluntly scheming, semisuccessful model Janey Wilcox is in her 10th year of charming powerful, rich men into installing her in their Hamptons homes for the summer. The mutual benefits are obvious: the moguls get a gorgeous sex kitten to display and bed, while she summers in high style. When this arrangement leads to a few humiliating encounters, however, Janey tries her hand at screenwriting and attempts real estate school, but eventually she finds her fortune in a more realistic endeavor: a lucrative lingerie modeling contract. The next story features Winnie, a successful columnist married to a mediocre literary journalist. The victims of relentless ambition and disappointment, they lash one another with insults, each finding their only solace in one-night stands. The third tale is the paranoid confession of Cecelia, who wants to be "normal" and pops pills to mitigate her fear of being nothing without a man. The last blonde is an unnamed 40-year-old journalist who, disillusioned with Manhattan males, travels to London on a magazine assignment to compare English and American men's attitudes about sex. The Brit banter revolves entirely around sexual technique and penis size, but manages to be entertaining. Mostly, the novel is New York-centric, focused on the obsessions of desperate people and replete with glittering details to satisfy the most exacting fashionista. Though superficial, these characters' envy and spite rises from their fear of mortality, of dying without having left their mark. Mercilessly satirical, Bushnell's scathing insights and razor wit are laced with an understanding of this universal human fear, and they inspire fear and pity in the reader.