Hot Stew
a riotous novel about sex and money in Soho, from the Booker-shortlisted author of Elmet
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5,0 • 1 valoración
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- 4,49 €
Descripción editorial
Longlisted for the Dylan Thomas Prize
'Ambitious, clever, brilliant and very funny . . . If Elmet announced the arrival of a bright new voice in British literature, Hot Stew confirms Mozley as a writer of extraordinary empathic gifts' Observer
'A dazzling Dickensian tale . . . In an age when so many novelists of Mozley's generation take refuge in the dystopian, she has reinvigorated large-scale social realism for our times' Guardian, Book of the Day
'Where the mystical, elemental qualities of Elmet earned it comparisons with Lawrence and Hardy, her second novel is a sprawling urban comedy more likely to recall Ben Jonson or Dickens' Daily Telegraph
'Did you know in Tudor times all the brothels were south of the river in Southwark and it was only much later that they moved up this way to Soho. Stews, they were called then.'
Pungent, steamy, insatiable Soho; the only part of London that truly never sleeps. Tourists dawdling, chancers skulking, addicts shuffling, sex workers strutting, punters prowling, businessmen striding, the homeless and the lost. Down Wardour Street, ducking onto Dean Street, sweeping into L'Escargot, darting down quiet back alleyways, skirting dumpsters and drunks, emerging on to raucous main roads, fizzing with energy and riotous with life.
On a corner, sits a large townhouse, the same as all its neighbours. But this building hosts a teeming throng of rich and poor, full from the basement right up to the roof terrace. Precious and Tabitha call the top floors their home but it's under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. Those like Cheryl, who sleep in the basement, will have to find somewhere else to hide after dark. But the women won't go quietly. Soho is their turf and they are ready for a fight.
'A complex mosaic of urban life . . . The Soho Mozley captures with such intensity is not a mere locality. It is a microcosm of swarming humanity' The Times
'At its best, it recalls the kind of capacious, rollicking satires Britain produced in and around the Thatcher era - ambitious, scathing and damn good fun' TLS
PUBLISHERS WEEKLY
Mozley leaves the Yorkshire countryside of her Booker-shortlisted Elmet for the gritty streets of London in this lively contemporary Dickensian outing set in a Soho brothel. Wealthy, ruthless developer Agatha has her gaze fixed on the Aphra Behn, an apartment building inhabited largely by sex workers. Among them are Precious and Tabitha, who organize the other women to weigh their options after they're slapped by Agatha with an exorbitant rent hike; eventually, they go to the press. Meanwhile, a policewoman is dubiously assigned to investigate sex trafficking at the Aphra Behn by her commanding officer, manipulated by Agatha after a tête-à-tête. Of greater concern to the author than the fate of the building and its residents, though, are the social problems of poverty, addiction, and rising gentrification, which she roundly illustrates through depictions of the myriad men who frequent the brothel (among them an aspiring actor who plays a pimp in a stage play), and the neighborhood's homeless population and crew of drug addicts. Unfortunately, the main characters are often flatly reported and fail to leave a deep impression (on Precious: "For her, it is just a job. She does it for the money. She doesn't much like it or enjoy it but she didn't much enjoy her previous employment either"). Still, Mozley's ambition and vision make this a worthy effort.
