Descripció de l’editorial
In this sequel to the #1 New York Times bestseller Presumed Innocent, Rusty Sabich and Tommy Molto who are, once again, twenty years later, pitted against each other in a riveting psychological match after the mysterious death of Rusty's wife.
When Sabich, now sixty years old and the chief judge of an appellate court, finds his wife Barbara dead under mysterious circumstances, Molto accuses him of murder for the second time, setting into motion a trial that is vintage Turow—the courtroom at its most taut and explosive.
With his characteristic insight into both the dark truths of the human psyche and the dense intricacies of the criminal justice system, Scott Turow proves once again that some books simply compel us to read late into the night, desperate to know who did it.
A New York Times Book Review Editors' Choice
PUBLISHERS WEEKLY
The hero of Scott Turow's first novel faces yet another murder charge involving a woman with whom he had an intimate relationship. InnocentScott Turow. Grand Central, (406p) Mesmerizing prose and intricate plotting lift Turow's superlative legal thriller, his best novel since his bestselling debut, Presumed Innocent, to which this is a sequel. In 2008, 22 years after the events of the earlier book, former lawyer Rusty Sabich, now a Kindle County, Ill., chief appellate judge, is again suspected of murdering a woman close to him. His wife, Barbara, has died in her bed of what appear to be natural causes, yet Rusty comes under scrutiny from his old nemesis, acting prosecuting attorney Tommy Molto, who unsuccessfully prosecuted him for killing his mistress decades earlier. Tommy's chief deputy, Jim Brand, is suspicious because Rusty chose to keep Barbara's death a secret, even from their son, Nat, for almost an entire day, which could have allowed traces of poison to disappear. Rusty's candidacy for a higher court in an imminent election; his recent clandestine affair with his attractive law clerk, Anna Vostic; and a breach of judicial ethics complicate matters further. Once again, Turow displays an uncanny ability for making the passions and contradictions of his main characters accessible and understandable.
