Descripción editorial
NEW YORK TIMES BESTSELLER • From the beloved author of the Vampire Chronicles, the second installation of her spellbinding Mayfair Chronicles—the inspiration for the hit television series!
“[Anne] Rice’s descriptive writing is so opulent it almost begs to be read by candlelight.”—The Washington Post Book World
In seventeenth-century Scotland, the first “witch,” Suzanne of the Mayfair, conjured up the spirit she named Lasher—a creation that spelled her own destruction and torments each of her descendants. Now, the beautiful Rowan Mayfair, queen of the coven, must flee from this darkly brutal yet irresistible demon.
The magic of the Mayfairs continues:
THE WITCHING HOUR • LASHER • TALTOS
PUBLISHERS WEEKLY
Returning to the Mayfair clan she introduced in The Witching Hour , Rice offers another vast, transcontinental saga of witchcraft and demonism in the tradition of Gothic melodrama. The eponymous Lasher is a demon spirit who preys on female Mayfairs in his attempt to procreate. Rowan Mayfair, queen of the coven who has borne Lasher's child, has now disappeared. At times this main narrative is lost as the story moves from the Louisiana Mayfairs to the Scottish Donnelaiths and the clandestine London Telamasca society, with copious personal histories and myriad characters. Long sections ramble without a compelling point of view, and are dampened by stock elements: cliched wind storms, sexy witches, the endless supply of money the Telemasca has at its disposal. At times, Lasher is too much in evidence (rattling the china, gnashing his teeth) to be frightening. But embedded in this antique demonism is a contemporary tale of incest and family abuse that achieves resonance. It is maintained through the character of Lasher, both child and man at the same time, who manipulates his victims with his own pain. At their best, Rice's characters rise above the more wooden plot machinations with an ironic and modern complexity: Mona, the young feminist witch with sharklike business instincts; Julien, the dead patriarch, who movingly recalls his male lovers; Yuri, the clever Serbian orphan. Despite lapses into uninspired language, ultimately the novel is compelling through its exhaustive monumentality. 700,000 first printing; Literary Guild main selection.
