Mrs Gulliver
-
- 9,99 €
-
- 9,99 €
Descripción editorial
'Irresistible - a funny, sexy romp that's also smart, even wise' Kirkus starred review
'Pure elegance, subtlety and wit. A triumph of a novel' - Francesca Segal, author of Mother Ship
It is 1954, and prostitution is legal in the tropical haven that is Verona Island. Here, among gangsters and corrupt lawmen, Lila Gulliver runs a brothel that promises her exclusive clientele privacy and discretion. When nineteen-year-old Carità, beautiful and blind since birth, comes to her door seeking employment, Mrs Gulliver sees a business opportunity and takes a chance. Carità is mesmerising, sharp and a mystery to her employer, always holding herself at a distance.
One night, the son of a wealthy judge patronises Mrs Gulliver's establishment, immediately falling madly in love with Carità. This is Ian Drohan - young, idealistic and cushioned by wealth and family connections. Mrs Gulliver mistrusts him, and worries for Carità's future. Carità, on the other hand, is fearless, headstrong and a force of nature that Mrs Gulliver is always several steps behind.
A dazzling drama filled with sex, wry wit and literary references, Mrs Gulliver follows two women who have nothing to lose in their fight for agency on an island too ready to dismiss them.
PUBLISHERS WEEKLY
Martin (The Ghost of the Mary Celeste) sets this undercooked romp in a brothel on a fictional tropical island in the 1950s, where prostitution is legal. The story opens with beautiful blind orphan Carità Bercy arriving at the brothel in search of employment. Hired by proprietor Lila Gulliver, Carità is breezy and self-possessed, popular with the other girls and the clients. Then Ian Drohan, the self-righteous heir to one of the island's largest fortunes, falls for Carità, and the star-crossed lovers run away to be secretly married. It turns out Ian is sought by a gang boss whose goon Ian killed in a shoot-out after he murdered Ian's friend. Ian's father, Mike, searches for his son at the brothel, where he meets Lila. The two become romantically involved as they set out to find the runaways. As the plot unfolds, the enigmatic Carità, who desires most of all to go to college and sees Ian as her ticket to get there, reveals herself to be more self-serving than heartfelt. Unfortunately, Martin doesn't delve into questions of agency or victimization, slipping instead into trite language and cringe-worthy clichés ("He pulled me in gently for a five-alarm kiss"; "My knees buckled"). This lacks the punch of Martin's earlier works.
