Descripción editorial
From the Booker Prize-winning and Women's Prize-shortlisted author of The Silence of the Girls
The final novel in Pat Barker's acclaimed 'Life Class' trilogy - an unforgettable story of art and war, from one of our greatest writers on war and the human heart
'Bold, hard-hitting, unforgettable, with luminous and unsparing insight' Independent on Sunday
'Barker's command of detail and gift for metaphor are as sharp as ever... Noonday is in the first rank' Mail on Sunday
'[There is] no end to her talent in describing how conflicts rupture the soul' Arifa Akbar, Independent
London, the Blitz, autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul works as an air-raid warden. As the bombing intensifies, the constant risk of death makes all three of them reach out for quick consolation. Old loves and obsessions re-surface until Elinor is brought face to face with an almost impossible choice. Writing about the Second World War for the first time, Pat Barker brings the besieged and haunted city of London into electrifying life.
The Life Class trilogy:
Life Class
Toby's Room
Noonday
PUBLISHERS WEEKLY
Barker concludes a trilogy that began with three students at the Slade School of Fine Art in the run-up to World War I (Life Class), in this third volume, which takes the former classmates to London during the Blitz in 1940. Elinor Brooke and Paul Tarrant are now married and middle-aged. Paul is an air raid warden, and Elinor drives an ambulance. The third classmate, their mutual friend Kit Neville, arrives from America, where he has left behind his wife and daughter, and goes to work for the Ministry of Information as a German translator. Despite all the death and destruction around them, all three still try to advance their painting careers. Elinor even receives a commission from Kenneth Clark of the War Artists Advisory Committee. But an indiscretion on Paul's part causes a rift in his marriage to Elinor, one that Kit, who says he has always loved her, sets out to exploit. And forever hanging over the story is the ghostly presence of Elinor's brother, Toby, killed in action during WWI. Unfortunately, Barker's depiction of how Londoners bravely put up with Hitler's nightly bombing raids feels flat and familiar. The narrative meanders among several new characters Kenny, a lost boy of the Blitz, and Bertha Mason, a medium to limited effect, before finishing up in a flurry of melodramatic plot developments. In the end, this is a disappointing third act to a series that lacks the impact of Barker's superior Regeneration trilogy.
