North Woods
'I loved it' Maggie O'Farrell
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- 8,99 €
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- 8,99 €
Descripción editorial
'Epic . . . weaves a Cloud Atlas-style narrative of humanity under pressure and nature under threat' Guardian, BOOKS OF THE YEAR
'A little piece of magic' Sunday Independent, BOOKS OF THE YEAR
'Enthralling . . . A timely musing on what and who are lost to history' The Economist, BOOKS OF THE YEAR
'Truly outstanding' Mail on Sunday
'Mason teases out the joy and meaning in the sometimes small lives of his characters. North Woods has been heaped with praise and hype, and deservedly so. This is a book that treats life as a miracle and demands the proper awe from its readers' Antonia Senior, The Times
'This is a time-spanning, genre-blurring work of storytelling magic . . . The only constants are the land and Mason's genius' Washington Post
'Daniel Mason's latest novel is one of those rare books that truly deserves the description "spellbinding" ' Observer
'A tapestry at once intimate and epic' TLS
'Extraordinary characters . . . a tour de force' Independent, Best Books for Autumn
FOUR CENTURIES. A SINGLE HOUSE DEEP IN THE WOODS OF NEW ENGLAND.
A young Puritan couple on the run. An English soldier with a fantastic vision. Inseparable twin sisters. A lovelorn painter and a lusty beetle. A desperate mother and her haunted son. A ruthless con man and a stalking panther. Buried secrets. Madness, dreams and hope.
All are connected. The dark, raucous, beautiful past is very much alive.
Exhilarating, daring and playful, NORTH WOODS will change the way you see the world.
'A monumental achievement' Maggie O'Farrell
'Ambitious, alive, and lush with generosity . . . an immersive sprint through time' Tess Gunty
PUBLISHERS WEEKLY
Mason (A Registry of My Passage upon the Earth) follows the inhabitants of a secluded western Massachusetts home and their tragedies across centuries in this spectacular ghost story. In the 1760s, the eccentric and twice-widowed Charles Osgood, who's obsessed with finding the best apple in the world, discovers a stellar tree on abandoned land and from there starts an orchard. His two daughters, Mary and Alice, keep the orchard going but Alice's long line of potential suitors sparks murderous rage in Mary, who doesn't get the same attention as her sister. The letters of the next owner, hyper-naturalistic landscape painter William Henry Teale, recount his expansion of the house and his slowly confessed, eventually consummated but doomed love for his friend Erasmus Nash. Circa 1920, the ghosts of Teale and Nash torment Emily Farnsworth, until her button magnate husband invites charlatan medium Anastasia Rossi to the house, and her seance unexpectedly conjures real spirits. The Farnsworths' daughter, Lillian, struggles later with her schizophrenic son, Robert. In her later years, she joins a prison pen pal program and narrowly escapes a grisly fate. As time passes, others are drawn to the house for personal reasons that all end in tragedy. Throughout, Mason interleaves his crystalline prose with enchanting and authentic-seeming historical documents, including a Native American captivity narrative, psychiatrist case notes, and pulpy true crime reportage. Each arc is beautifully, heartbreakingly conveyed, stitching together subtle connections across time. This astonishes.
