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Descripción de la editorial
Until recently, Elizabeth Cline was a typical American consumer. She’d grown accustomed to shopping at outlet malls, discount stores like T.J. Maxx, and cheap but trendy retailers like Forever 21, Target, and H&M. She was buying a new item of clothing almost every week (the national average is sixty-four per year) but all she had to show for it was a closet and countless storage bins packed full of low-quality fads she barely wore—including the same sailor-stripe tops and fleece hoodies as a million other shoppers. When she found herself lugging home seven pairs of identical canvas flats from Kmart (a steal at $7 per pair, marked down from $15!), she realized that something was deeply wrong.
Cheap fashion has fundamentally changed the way most Americans dress. Stores ranging from discounters like Target to traditional chains like JCPenney now offer the newest trends at unprecedentedly low prices. Retailers are producing clothes at enormous volumes in order to drive prices down and profits up, and they’ve turned clothing into a disposable good. After all, we have little reason to keep wearing and repairing the clothes we already own when styles change so fast and it’s cheaper to just buy more.
But what are we doing with all these cheap clothes? And more important, what are they doing to us, our society, our environment, and our economic well-being?
In Overdressed, Cline sets out to uncover the true nature of the cheap fashion juggernaut, tracing the rise of budget clothing chains, the death of middle-market and independent retailers, and the roots of our obsession with deals and steals. She travels to cheap-chic factories in China, follows the fashion industry as it chases even lower costs into Bangladesh, and looks at the impact (both here and abroad) of America’s drastic increase in imports. She even explores how cheap fashion harms the charity thrift shops and textile recyclers where our masses of clothing castoffs end up.
Sewing, once a life skill for American women and a pathway from poverty to the middle class for workers, is now a dead-end sweatshop job. The pressures of cheap have forced retailers to drastically reduce detail and craftsmanship, making the clothes we wear more and more uniform, basic, and low quality. Creative independent designers struggle to produce good and sustainable clothes at affordable prices.
Cline shows how consumers can break the buy-and-toss cycle by supporting innovative and stylish sustainable designers and retailers, refashioning clothes throughout their lifetimes, and mending and even making clothes themselves.
Overdressed will inspire you to vote with your dollars and find a path back to being well dressed and feeling good about what you wear.
The good news for shoppers, notes Brooklyn journalist Cline in her engagingly pointed, earnestly researched study, is that cheap knockoffs of designer clothing can be found in discount stores almost instantly. The bad news is that "fast fashion" has killed America's garment industry and wreaked havoc on wages and the environment, especially in China, where most of the cheap clothes and textiles are now made. A self-described shopaholic of low-end stores H&M and Forever 21, which emerged from the first budget retailers in the 1990s like Old Navy and Target, which marketed cheap fashion as chic, Cline traces the phenomenon soup-to-nuts from the sad consolidation of the big department stores and depletion of New York's garment district, once supplying the massive labor needed for making clothes. From there, she takes her narrative to the factories overseas where workers are paid a fraction of what Americans earn. Cheap imports flooded the U.S. market, for example, shutting down textile mecca Inman Mills, in Greenville, S.C. Cline visited the root of inequity at massive, state-of-the-art factories in China where millions of "flavor-of-the-month" garments are manufactured for export, creating a new middle class for some Chinese while locking the lowest paid workers (also in Bangladesh, Cambodia, and Vietnam) in nonunion, slave-like poverty. As the fabrication of artificial fibers takes a walloping environmental toll, Cline urges, in her sharp wakeup call, a virtuous return to sewing, retooling, and buying eco-friendly "slow fashion."