Pet Sematary
An iconic chiller from the No. 1 bestseller
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4,3 • 6 valoraciones
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- 5,99 €
Descripción editorial
King's iconic, beloved classic is 'so beautifully paced that you cannot help but be pulled in' Guardian.
'SOMETIMES...DEAD IS BETTER'
The house looked right, felt right to Dr Louis Creed.
Rambling, old, unsmart and comfortable. A place where the family could settle; the children grow and play and explore. The rolling hills and meadows of Maine seemed a world away from the fume-choked dangers of Chicago.
Only the occasional big truck out on the two-lane highway, grinding up through the gears, hammering down the long gradients, growled out an intrusive threat.
But behind the house and far away from the road: that was safe. Just a carefully cleared path up into the woods where generations of local children have processed with the solemn innocence of the young, taking with them their dear departed pets for burial.
A sad place maybe, but safe. Surely a safe place. Not a place to seep into your dreams, to wake you, sweating with fear and foreboding.
'King can make the flesh creep half a world away' - The Times
'So beautifully paced that you cannot help but be pulled in' - Guardian
'The most frightening novel Stephen King has ever written' - Publisher's Weekly
'Wild, powerful, disturbing' - Washington Post Book Review
PUBLISHERS WEEKLY
The first unabridged audio edition of the novel King considers his most frightening should be more than enough to lure the author's fans, and the fact that it's read by Hall, who played the eponymous serial killer on Showtime's Dexter (adapted from Jeff Lindsay's novels), will only add to the appeal. Hall effectively employs a full emotional range, starting with joyous. That's the dominant mood of Dr. Louis Creed as he and his family wife Rachel, kids Ellie and Gage, and Ellie's cat, Church arrive at their new home in Ludlow, Maine. Hall's narration quickly loses some of its cheeriness when young Ellie falls from a swing and bangs her knee and toddler Gage is stung by a bee. And, when their new neighbor, elderly Jud Crandall, leads them to a pet cemetery (with its misspelled sign) in the shadowy woods behind their home, the atmosphere grows distinctly chilly. The chill only increases when Church is killed by a car and Jud informs Louis in an avuncular, Down East accent courtesy of Hall that some animals placed in the Micmac Indian burial ground just beyond the cemetery have been resurrected. Louis and Jud bury Church there, and the cat does come back, but it's different, malodorous, and sullen. Eventually there are more burials and reanimations, resulting in ever-increasing grotesqueries, with the narration rising to a hackles-raising height of terror. The combination of King at his bloodiest and Hall at his most terrifying make this irresistible.
