Property
Stories Between Two Novellas
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- 10,99 €
Descripción editorial
A striking new collection of ten short stories and two novellas that explores the idea of property in every meaning of the word, from the acclaimed New York Times bestselling author of the National Book Award finalist So Much for That and the international bestseller We Need to Talk About Kevin.
Intermingling settings in America and Britain, Lionel Shriver’s first collection explores property in both senses of the word: real estate and stuff. These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.
In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.
Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.
PUBLISHERS WEEKLY
The wry and nimble novellas and stories in this collection by Shriver (We Need to Talk About Kevin) focus on how homes and objects shape the lives of those who own them. The collection, which concentrates on middle-class Brits and Americans, is bookended by two richly detailed and sardonic novellas. In the first, "The Standing Chandelier," a freelance web designer's relationship with his girlfriend is tested after his high-strung ex-girlfriend gives them a gift that dominates their house. In the concluding novella, "The Subletter," an American journalist who has been making a meager living in Belfast for years is brought to the edge of a breakdown when she has to share her apartment with an ambitious young subletter. In between, mordant tales touch down in the lives of a young American making herself at home in an African household ("Kilifi Creek"), a recent widow discovering that her late husband had done more than she thought to take care of a seemingly simple garden ("The Self-Seeding Sycamore"), and a slacker whose parents find him impossible to uproot from the household ("Domestic Terrorism"). Shriver's stories will make readers laugh when they feel they shouldn't, and the uniting theme of houses and humans works exceedingly well, turning up new wrinkles with each successive story.
