Saint X
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- 4,99 €
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- 4,99 €
Descripción editorial
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' — New York Times, Oyinkan Braithwaite (author of My Sister, The Serial Killer)
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family’s vacation. Several days later Alison’s body is found in a remote spot on a nearby cay, and two local men are arrested. But the evidence is slim, the timeline against it, and the men are soon released.
Years later, riding in a New York City taxicab, Claire recognizes the name on the cabbie’s licence, Clive Richardson – her driver is one of the men originally suspected of murdering her sister and the fateful encounter sets her on an obsessive pursuit of the truth. But as Claire doggedly shadows Clive, hoping to gain his trust, waiting for the slip that will uncover the truth, an unlikely intimacy develops between them, two people whose lives were forever marked by a tragedy.
Alexis Schaitkin's Saint X is a flawlessly drawn and deeply moving story that hurtles to a devastating end.
PUBLISHERS WEEKLY
Schaitkin's unsettling debut plays with the conventions of the romantic thriller to comment on the uneasy relationship between working-class residents of a fictional island in the Caribbean and the wealthy American tourists who visit it. In 1995, a couple from a New York City suburb and their two daughters, adventurous college freshman Alison and cautious seven-year-old Claire, visit a resort on the island. Alison flirts with two workers at the resort, Clive and Edwin, and takes off with them nightly without her parents' knowledge to visit a local club, where she dances, drinks, and gets high. One night, she doesn't return, and her body is soon found on a nearby island. Though suspicion falls on Clive and Edwin, they are not charged with any crime. In present-day N.Y.C., Claire, who narrates much of the novel, recognizes Clive, now a cab driver, from the back seat of his taxi. Obsessed with learning what happened to Alison, she stalks him while neglecting her work and friends. As Claire embeds herself in Clive's life, he grows increasingly wary, until he finally snaps and reveals what he knows about the final night of Alison's life. As the novel gradually shifts to Clive's point of view, Schaitkin subverts the other characters' assumptions about the lives and intentions of strangers. This is a smart page-turner, both thought-provoking and effortlessly entertaining.)
