The Burglar in the Library
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- 5,49 €
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- 5,49 €
Descripción editorial
Bookseller and New-Yorker-to-the-bone, Bernie Rhodenbarr rarely ventures out of Manhattan, but he's excited about the romantic getaway he has planned for himself and current lady love Lettice at the Cuttleford House, a remote upstate b&b. Unfortunately, Lettice has a prior engagement—she's getting married . . . and not to Bernie—so he decides to take best buddy Carolyn instead. A restful respite from the big city's bustle would be too good to waste. Besides, there's a very valuable first edition shelved in the Cuttleford's library that Bernie's just itching to get his hands on. Did we neglect to mention that Bernie's a burglar?
But first he's got to get around a very dead body on the library floor. The plot's thickened by an isolating snowstorm, downed phone lines, the surprise arrival of Lettice and her reprehensible new hubby, and a steadily increasing corpse count. And it's Bernie who'll have to figure out whodunit . . . or die.
PUBLISHERS WEEKLY
Bernie Rhodenbarr, bookseller and burglar (The Burglar Who Thought He Was Bogart, etc.), is one of Block's most stylish creations, and this new outing (there has been a reissue or two in recent years) is cause for rejoicing. This time, Bernie is off with pal Carolyn for a weekend at a pseudo-English manor in the wilds of New England. Bernie hasn't the usual salacious aims in mind--Carolyn is a lesbian, after all, and the woman Bernie had wanted to take has just up and married someone else--but there is a rare book he lusts for. Cuttleford House happens to contain an inscribed Raymond Chandler first edition. A huge snowstorm traps everyone at the manor and soon, as happens in the kind of Agatha Christie mysteries Block delights in poking fun at, people start dying mysteriously, one by one. The phone lines are cut; a rope bridge across the creek that is their only egress is gone; and residents are trapped with a murderer, or maybe more than one. It's delightful, lighthearted fun in which keen characterizations, effortlessly loopy dialogue and a narrative style like, well, clotted cream, combine for a rare treat. Bernie gets to say "I suppose you're wondering why I summoned you all here," as he lays out the full deviousness for the survivors. The tale is more ingenious than believable, but belief is not what the Burglar stories are all about. Pure pleasure is.
