The Cigar Roller
A Novel
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- 12,99 €
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- 12,99 €
Descripción editorial
The celebrated Cuban American poet and novelist offers “a fine portrait of a hedonist and a cad” set in “the Cuban, expatriate community in Florida” (The New York Times).
Pablo Medina’s The Cigar Roller recounts the life of Cuban master cigar roller Amadeo Terra. A proud and capricious man, tobacco has been the center of his life, the source of his passion. Though he committed many sins in his time, he was always forgiven due to his considerable talents with the leaves. An imperious patriarch of enormous appetites, Amadeo now lies in a Florida hospital after suffering a stroke. And only now does he finally look back at his previously unexamined life.
One day, his nurse feeds him mango from a baby-food jar—a change from the tasteless mush he frequently rejects—and the taste brings memories of his life in Havana flooding back to him. He recalls his turbulent, passionate relationship with his wife Julia, his numerous romantic transgressions, the three sons he’s kept at a distance, the political strife that forced his family to relocate from Cuba to Florida, and finally the tragedy that he’s kept locked away all these years.
The Cigar Roller is “an evocative snapshot of an era gone up in smoke,” and a portrait of a once robust man who, at the end of his imperfect life, clamors for a quotient of dignity and grace as he comes to terms with his regrets (Detroit Free Press).
PUBLISHERS WEEKLY
The final days of a paralyzed stroke victim provide the occasion for a poignant set of immigrant's reflections in Medina's latest. Amadeo Terra spends days and nights in his Catholic nursing home in Tampa silently raging against the neglect of his grown children and the shortcomings (and even brutality) of various staff caretakers. In between episodes of internalized anger, Terra relives his path to becoming a master cigar roller in Cuba, his emigration and work in Tampa's Ibor City cigar factories and his troubled marriage. Medina (The Return of Felix Nogarra) crafts a complex, rewarding novel out of a static setting. Passages in which Terra relives his romantic past, uses his bodily functions in retaliatory fashion or rails against the emptiness of life in Florida each have a particular texture. The darker final chapters work less well, as Medina ineffectively blurs Terra's relationship with his abusive father with ambulatory fantasies and Terra's final decline. But Medina's graceful use of the third person, into which he folds a multiplicity of perspectives with real lyricism, makes Terra seem to open outward into the world as someone to whom things happen (in paralysis and before), but also as someone who asserts his humanity in whatever circumstances he finds himself. Medina skates perfectly between Terra's specificity and the universality of his plight, making Terra, his flaws and his struggles all the more compelling.
