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Descripción de la editorial
Sulien ap Gwien was seventeen when the Jarnish raiders came. Had she been armed when they found her, she could have taken them all. As it was, it took six of them to subdue her. She will never forgive them.
Thus begins her story--a story that takes her back to her family, with its ancient ties to the Vincan empire that once ruled in Tir Tanagiri, and forward to Caer Tanaga, where the greatest man of his time, King Urdo, struggles to bind together the squabbling nobles and petty princes into a unified force that will drive out the barbarian invader and restore the King's Peace.
Ringing with the clash of arms and the songs of its people, rich with high magic and everyday life, The King's Peace begins an epic of great deeds and down-to-earth people, told in language with the strength and flexibility of sharpened steel.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
War is a tough subject to do well, but in this gritty, moving second and final book in the saga of Tir Tanagiri, British author Walton makes the strife of civil war not only believable but understandable. Battle-hardened, older and wiser after her adventures in The King's Peace (2000), the warrior Sulien ap Gwien has become lord of her own bit of land and wants nothing more than a quiet life. Ill fortune and an evil sorcerer who'd not been dealt with years earlier, however, return her to the saddle and a civil war that could break King Urdo's peace and leave the kingdom a shattered ruin. Brother turns against brother or in this case, sister against sister. The novel opens: "The first I knew about the civil war was when my sister Aurien poisoned me." Sulien survives her poisoning only to wonder why her sister hates her the answer makes her wish she'd remained poisoned. In the end, the cost of battle is felt by every person in the land. No one will ever be the same, especially Sulien ap Gwien. Walton has taken a thoughtful look at what war can do to real people, as a group and as individuals. A nicely paced, unpredictable plot that keeps the reader guessing who might be back-stabbing whom, coupled with musical language and natural conversations, sets this well above the fantasy average. The ambiguous gender of some of the character names may confuse some, but Walton is never stridently feminist, with women and men represented as equally capable of both good and evil. This fine work should garner an award nomination or two.