The Lives of the Surrealists
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- 28,99 €
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- 28,99 €
Descripción editorial
No other art movement in history has contained two artists as different as Magritte and Miró. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses?
Drawing on the authors personal knowledge of the Surrealists, this book captures their life histories, idiosyncrasies and often-complex love lives, vividly illustrated with images of the artists and their works. The arts of Surrealism were both spectacular and international, shaped by the darkest, most irrational workings of the unconscious. Shocking, witty and always entertaining, Morris tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists work and in their lives.
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Morris (The Naked Ape), the last surviving member of the first-generation Surrealists, offers an intimate tour of the personal lives of the artists in his inner circle. The motley assortment ranges from textbook staples (Salvador Dal ) to those on the movement's margins (Alexander Calder). Morris's emphatic focus is not on their art but their lives. Writing as a personal friend and acquaintance of many of the Surrealists, he divulges their working habits (Alberto Giacometti was a night owl who regularly went to bed at 7 a.m.), personality quirks (Leonor Fini spent hours studying corpses), and sexual conquests with a disarming familiarity (each entry begins with a list of sexual partners). The movement's founder and fulcrum, Andre Breton, is cast as something of an unlikable, controlling bully who at one point or another expelled nearly all of the Surrealists from the movement, occasionally with unintentionally humorous theatricality. Morris concedes, however, that the movement "would have been much the poorer without him." Each of these 32 short biographical entries is thoughtfully accompanied by a lesser-known work of art by each artist, along with photographs of the artists as they appeared in their most active years. Alternatively funny, ribald, and at times genuinely moving, Morris's fittingly off-kilter tribute to the Surrealist movement itself and the eclectic men and women who carried its torch is a true joy. illus.
