The Morning After
Savannah series, book 2
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- 3,99 €
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- 3,99 €
Descripción editorial
She wakes in a dark, closed space. From above her comes the muffled sound of cruel laughter, followed by the sound of earth being thrown. Pure terror takes over as she realizes she's being buried alive, and her last breath is a scream that no one but a sadistic killer will hear.
To Nikki Gillette, this disturbing story is a ticket out of small-town Savannah and on to the big time. She's already given the killer a name - The Grave Robber - and she's spending every minute dogging tough cop Pierce Reed's investigation.
Another body is found. And another. Each gruesome discovery unnerves Nikki a little more . . . there's something familiar about it, something she should know. Now, as a serial killer pulls her ever deeper into his sick game, she has no idea how close she's getting to the truth - or how deadly it will be.
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Slowly waking from a drugged sleep, a woman realizes she's not in her own bed but in a closed coffin, lying on top of a cold, reeking dead body. Thuds resonate on the lid dirt and stones being shoveled on top bringing the sure knowledge she's being buried alive. From this bone-chilling, if melodramatic, opening image, Jackson skillfully crafts a horrific thriller about an elusive serial killer dubbed The Grave Robber. Seeing the high-profile murders as her ticket out of small-town Savannah, ambitious reporter Nikki Gillette latches onto the case and onto lead investigator Pierce Reed. Tough-guy police detective Pierce initially sees Nikki's dogged investigations as a mere irritant until evidence turns up indicating that the killer may see Nikki as his prey. Meanwhile, tension and unease mount for Nikki as secret ties among the attractive Pierce, whom she may be falling for, the killer and the victims start coming to light. As in Jackson's previous offering, The Night Before, this psychological thriller has a beautifully conceived plot full of unexpected twists and provocative misleads, as well as sophisticated character development. Not even the sadistic murderer is one-dimensionally evil, and the protagonists display delicious depths.
