The Museum of Innocence
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4,0 • 1 valoración
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- 11,99 €
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- 11,99 €
Descripción editorial
The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul's richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. In his romantic pursuit of Füsun over the next eight years, Kemal compulsively amasses a collection of objects that chronicles his lovelorn progress-a museum that is both a map of a society and of his heart.
The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive love affair; and Pamuk beautifully captures the identity crisis experienced by Istanbul's upper classes that find themselves caught between traditional and westernised ways of being. Orhan Pamuk's first novel since winning the Nobel Prize is a stirring love story and exploration of the nature of romance.
Pamuk built The Museum of Innocence in the house in which his hero's fictional family lived, to display Kemal's strange collection of objects associated with Fusun and their relationship. The house opened to the public in 2012 in the Beyoglu district of Istanbul.
'Pamuk has created a work concerning romantic love worthy to stand in the company of Lolita, Madame Bovary and Anna Karenina.' --Financial Times
PUBLISHERS WEEKLY
Nobel laureate Pamuk's latest is a soaring, detailed and laborious mausoleum of love. During Istanbul's tumultuous 1970s, Kemal Bey, 30-year-old son of an upper-class family, walks readers through a lengthy catalogue of trivial objects, which, though seeming mundane, hold memories of his life's most intimate, irretrievable moments. The main focus of Kemal's peculiar collection of earrings, ticket stubs and drinking glasses is beloved F sun, his onetime paramour and longtime unrequited love. An 18-year-old virginal beauty, modest shopgirl and "poor distant relation," F sun enters Kemal's successful life just as he is engaged to Sibel, a "very special, very charming, very lovely girl." Though levelheaded Sibel provides Kemal compassionate relief from their social strata's rising tensions, it is the fleeting moments with fiery, childlike F sun that grant conflicted Kemal his "deepest peace." The poignant truth behind Kemal's obsession is that his "museum" provides a closeness with F sun he'll never regain. Though its incantatory middle suffers from too many indistinguishable quotidian encounters, this is a masterful work.
