The Peppered Moth
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- 12,99 €
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- 12,99 €
Descripción editorial
The prize-winning author of The Dark Flood Rises offers an "absorbing" portrait of three generations of women—inspired by her own family (The New York Times Book Review).
In the early 1900s, young Bessie Bawtry grows up in a mining town in South Yorkshire, England. Unusually gifted, she longs to escape a life burdened by unquestioned tradition. She studies patiently, dreaming of the day when she will take the entrance exam for Cambridge and leave her narrow world. A generation later, Bessie's daughter Chrissie feels a similar impulse to expand her horizons, which she in turn passes on to her own daughter.
Nearly a century after that, Bessie's granddaughter finds herself listening to a lecture on genetics and biological determinism. She has returned to Breaseborough and wonders at the families who remained in the humble little town where Bessie grew up. Confronted with what would have been her life had her grandmother stayed, she finds herself faced with difficult questions. Is she really so different from the plain South Yorkshire locals? As she soon learns, the past has a way of reasserting itself—not unlike the peppered moth that was once thought to be nearing extinction but is now enjoying a sudden and unexplained resurgence.
With The Peppered Moth, the acclaimed author of The Seven Sisters conjures a captivating work of semi-fiction, grappling with her memory of her own mother and the indelible mark of family and heredity.
PUBLISHERS WEEKLY
One scarcely recognizes Drabble's (The Witch of Exmoor, etc.) customary satirical verve in this thinly veiled fictional account of her mother's life. According to the author's afterword, it was painful to write; moreover, it's painful to read. The essential unlovability of the central character is accentuated by Drabble's tone throughout, which she admits is "harsh, dismissive, censorious. As she was." The fictional Bessie Bawtry is born in a Yorkshire coal-mining town during the early years of the 20th century. From childhood on, she is precociously intelligent and fastidious, carping and contemptuous. A manipulative martyr, Bessie is determined to escape her dowdy family and dismal surroundings, but though she wins a scholarship to Cambridge, her ignominious return to her hometown after graduation can be lived down only by marriage to affable Joe Barron. Forever dissatisfied, Bessie thereafter uses her caustic tongue to inflict her bitterness and resentment on her husband and children. Drabble animates the narrative somewhat through Bessie's daughter, Crissie, who manages to surmount her own dreadful marriage, and Bessie's granddaughter, journalist Faro Gaulden. Readers accustomed to Drabble's trenchant commentary on social conditions will welcome her interpolations on anthropological theories, gene research and social migration, all of which add depth to the story. At least one scene, of a funeral attended by the deceased's two wives, five mistresses and many offspring, legitimate and otherwise, represents Drabble at her best. But an author must have some sympathy for her protagonist, and Drabble seems to have none for Bessie. Her statement, again in the afterword: "I feel, in writing this, that I have made myself smell of dead rat" says it all. 3-city author tour.
