Descripción editorial
First appearing in 1892 The Yellow Wallpaper is a searing vision of a distinctively feminine form of madness and commands attention as an arresting tale of horror and a moving look into a woman’s mind.
The story uncompromisingly thrusts the reader into the mind of the narrator. She is a woman forced, ostensibly for her own good, into a ‘rest cure’, a psychological straitjacket so constricting that she begins to unravel. Her mental dissolution is described with such fierce immediacy that The Yellow Wallpaper has been read and anthologized as a chilling horror tale. While it can easily be appreciated for its disorienting thrills, the story’s true resonance comes from its matter-of-fact portrayal of a woman pushed to the rim of sanity by society’s demands and her family’s utter inability to conceive of the fact that she cannot fit within their strictures. Shot through with unforgettable images of the yellow wallpaper, its shadowy depths and what seems to lurk there, The Yellow Wallpaper builds to a climax that combines the narrative impact of an Edgar Allan Poe story with a wrenching protest of the treatment of women. Unique and genre-bending, Gilman’s story was unrivaled in its era and its power endures undiminished today.
With an eye-catching new cover, and professionally typeset manuscript, this edition of The Yellow Wallpaper is both modern and readable.
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.
With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
PUBLISHERS WEEKLY
Yuen leads listeners convincingly through this beautifully wrought 1892 short story. She begins the first-person narrative with the voice of a sensible if somewhat distraught young woman confined by her doctor husband to an attic room with hideous yellow wallpaper and bars on the windows. She is thought to have a nervous condition and is permitted no activity, including writing, lest it tire her. Eschewing melodrama, Yuen gradually changes tone and inflection as the weeks pass and the wife starts tearing down the wallpaper, perceives another woman behind it trying to get out, and finally descends into madness. It's a short, intoxicating listen that merits more than one replay.
