Tokyo Vice
now a HBO crime drama
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5,0 • 1 valoración
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- 5,99 €
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- 5,99 €
Descripción editorial
A riveting true-life tale of newspaper noir and Japanese organised crime from an American investigative journalist. Now a Max Original Series on HBO Max
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EITHER ERASE THE STORY, OR WE'LL ERASE YOU. AND MAYBE YOUR FAMILY. BUT WE'LL DO THEM FIRST, SO YOU LEARN YOUR LESSON BEFORE YOU DIE.
From the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police press club: a unique, first-hand, revelatory look at Japanese culture from the underbelly up.
At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a life of crime . . . crime reporting, that is, at the prestigious Yomiuri Shinbun. Working eighty-hour weeks for twelve years, he covered the seedy side of Japan, where extortion, murder, human trafficking and corruption are as familiar as ramen noodles and sake. But when his final scoop brought him face-to-face with Japan's most infamous yakuza boss - and the threat of death for him and his family - Adelstein decided to step down . . . momentarily. Then, he fought back.
With its visceral descriptions and detailed exploration of the modern-day yakuza, Tokyo Vice is a deeply thought-provoking book: equal parts cultural exposé, true crime and hard-boiled noir.
'Expertly told and highly entertaining' GEORGE PELECANOS, writer and producer of The Wire
'Sacred, ferocious, and businesslike, Adelstein describes the Japanese mafia like nobody else' ROBERTO SAVIANO, author of Gomorrah
'Gripping and absorbing . . . A terrifying, deeply moral story that you cannot put down' MISHA GLENNY, author of McMafia
PUBLISHERS WEEKLY
A young Japanese-schooled Jewish-American who worked as a journalist at Tokyo newspaper Yomiuri Shinbun during the 1990s, debut author Adelstein began with a routine, but never dull, police beat; before long, he was notorious worldwide for engaging the dirtiest, top-most villains of Japan's organized criminal underworld, the yakuza. A pragmatic but sensitive character, Adelstein's worldview takes quite a beating during his tour of duty; thanks to his immersive reporting, readers suffer with him through the choice between personal safety and a chance to confront the evil inhabiting his city. He learns that "what matters is the purity of the information, not the person providing it," considers personal and societal theories behind Tokyo's illicit and semi-illicit pastimes like "host and hostess clubs," where citizens pay for the illusion of intimacy: "The rates are not unreasonable, but the cost in human terms are incredibly high." Adelstein also examines the investigative reporter's tendency to withdraw into cynicism ("when a reporter starts to cool down, it's very hard... ever to warm up again") but faithfully sidesteps that urge, producing a deeply thought-provoking book: equal parts cultural expos , true crime, and hard-boiled noir.
