Utopia Avenue
The Number One Sunday Times Bestseller
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- 5,49 €
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- 5,49 €
Publisher Description
'ONE OF THE MOST BRILLIANTLY INVENTIVE WRITERS OF THIS, OR ANY, COUNTRY' INDEPENDENT
The Number One Sunday Times Bestseller
'Wildly entertaining'
SPECTATOR
'A stand-out triumph'
SUNDAY TIMES
'Superb'
LITERARY REVIEW
'Impressive'
NEW YORKER
'Highly entertaining'
TIMES LITERARY SUPPLEMENT
A story of music and dreams, drugs and madness, love and grief, from the acclaimed author of Cloud Atlas
The year is 1967 and word is spreading about a new band on London's psychedelic scene - an unlikely combination of a female folksinger, a blues bassist, a jazz drummer and an electric guitarist. Strangers to each other and from widely different backgrounds, together they create magic. Meet Utopia Avenue.
This is the story of a unique band's brief, blazing journey from Soho dives to chart success and on to the promised land of America, just when the Summer of Love was giving way to something much darker - a tale of dreams, drugs, sexuality, madness and grief, and of fame's pitfalls. Capturing a time when youthful idealism collided with jaded reality, this bewitching novel celebrates the power of music to connect across divides, define an era and thrill the soul.
PRAISE FOR DAVID MITCHELL
'A thrilling and gifted writer'
FINANCIAL TIMES
'Dizzyingly, dazzlingly good'
DAILY MAIL
'Mitchell is, clearly, a genius'
NEW YORK TIMES BOOK REVIEW
'An author of extraordinary ambition and skill'
INDEPENDENT ON SUNDAY
'A superb storyteller'
THE NEW YORKER
PUBLISHERS WEEKLY
Mitchell's magical, much anticipated latest (after Slade House) is a rollicking, rapturous tale of 1960s rock 'n' roll. Utopia Avenue emerges from the London music scene as a ragtag band of four unforgettable characters, assembled by manager Levon Frankland as a "psychedelic-folk-rock" supergroup. There's Jasper de Zoet, the dark and enigmatic lead guitarist; Elf Holloway, the ethereal songstress on keyboards; Griff Griffin, the gruff but lovable drummer; and Dean Moss, heartthrob bassist and lead singer. Dean, who escaped poverty and his abusive father, turns to music as his outlet of expression. De Zoet seeks a dangerous escape from his schizophrenia in a mystical "psychosurgery" treatment. Meanwhile, Griff, a "drummer-of-many-parts" according to the Village Voice ("Sounds as if my arms and legs unscrew," Griff says), is the glue that keeps them together, and Elf circuitously navigates her sexuality and eventually finds a surprising new love. From dingy nightclubs to the Chelsea Hotel and room service in California, and cameos from Janis Joplin, Jerry Garcia, and members of the Rolling Stones, Mitchell follows the band's sex- and drug-fueled rise to fame in 1968 and the group's abrupt, heartbreaking end. Each chapter name is the title of a song and focuses on one of the main characters in the band, and Mitchell unspools at least a dozen original song lyrics and descriptions of performances that are just as fiery and infectious as his narratives. Mitchell makes the best use of his familiar elements, from recurring characters to an innovative narrative structure, delivering more fun, more mischief, and more heart than ever before. This is Mitchell at his best.