What Would Barbra Do?
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- 12,99 €
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- 12,99 €
Descripción editorial
Film musicals: you either love them or they make you want to kill yourself slowly with plastic cutlery. Nothing has the power to lift your heart or turn your stomach like Howard Keel in fake sideburns singing Bless Your Beautiful Hide or Julie Andrews singing...well, just about anything.There are few situations where the question What would Barbra do? doesn't have relevance in a world which is much better lived to a soundtrack of show-tunes.
This is a book for people who know that
* People don't tend to die in musicals, but those who do deserve it
* True love waits long enough for an element of mistaken identity to be introduced (especially if one of the couple is a Nazi)
* Women carry the show.
* Talented women wind up alone...
* ...But they have the consolation of the torch song, which in Hollywood musicals is more fulfilling than a husband.
PUBLISHERS WEEKLY
Londoner Brockes, a 29-year-old playwright who writes for the Guardian, expounds on her love of musicals. When she was younger, she pretended to like the music her friends listened to, but she had inherited a fascination for musicals, both stage and film, from her mother. Off to college in 1994, she and her friend Adi became a "movement of two," listening to such recordings as Hits from the Blitz: The Best of Vera Lynn, periodically holding "Yentl and Lentil" evenings and creating play lists in which "any musical made post-1971 was automatically thrown out as unworthy." Analyzing her Golden Age favorites, she writes with wit and verve about everything from musical-haters, the flops of Rodgers and Hammerstein and the "secret language" of Mary Poppins to Esther Williams ("a sort of Bette Davis of the high diving board") and Funny Face ("a man woos a woman by undermining her theories of French existentialism with the rival philosophy 'think pink' "). A chapter on the five musicals "that stand the best chance of converting a hostile male audience to the charms of the genre" is delightful. Her passion is so contagious that this entertaining musical memoir, rambling and clever, might also be capable of creating converts.
