Where the Lost Ones Go
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- 7,99 €
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- 7,99 €
Descripción editorial
Where the Lost Ones Go is a middle grade contemporary fantasy by critically acclaimed author Akemi Dawn Bowman, in which a twelve-year-old biracial Japanese American girl grieves the loss of her beloved grandma and attempts to contact her beyond the grave.
Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung.
When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over. With the help of Hazel, the granddaughter of Honeyfield's owner (and Eliot’s new crush), she attempts to uncover the mystery behind Honeyfield Hall and the ghosts residing within.
And as Eliot fits the pieces together, she may just be able to help the spirits remember their pasts, and hold on to her grandmother’s memory.
PUBLISHERS WEEKLY
Roseheart, Maine, is the fresh start that Eliot Katayama's parents seek after the death of Eliot's grandmother, Babung. Twelve-year-old Eliot, cued as queer and of Japanese descent, grieves the loss of her confidante, and worries that Babung's dementia means she "has no idea how much she was loved," and may be existing in the afterlife without memories. When Eliot accepts a summer gardening job at imposing Honeyfield Hall, rumored to be haunted, she meets Hazel, a girl her own age, and finds a key whose lock reveals ghosts trapped in the house. To get a message to her grandmother, Eliot agrees to help the ghosts solve a riddle, find their lost memories, and perhaps move on. But Eliot is stymied by a shadowy creature who seems intent on destroying the ghosts' chances. Bowman (the Infinity Courts series) harmoniously splices real-world and otherworldly elements as Eliot moves between realms. Despite repeatedly hollow dictums on grief ("Rainbows come after a storm. Maybe it's like that when you're sad, too"), Eliot's thought processes ("Sometimes I just have so many thoughts in my head that it's hard to separate them into words") and difficulty making friends are handled with sensitivity, and the central theme—being appreciated for who one is—rings true. Ages 8–12.
