Wild Thing
The short, spellbinding life of Jimi Hendrix
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- 3,99 €
Descripción editorial
'Arguably the greatest instrumentalist in the history of rock music,' says Jimi Hendrix's citation in the Rock and Roll Hall of Fame. James Marshall Hendrix remains unique as an African American who broke out of the traditional 'Black' genres of blues, r&b and soul to play hard rock to an overwhelmingly white audience, almost single-handedly creating what became known as heavy metal.
With unprecedented access to Jimi's younger brother, Leon, the two most important women in his life and numerous previously untapped sources, bestselling music biographer Philip Norman resurrects the real Jimi from the almost mythical icon who has continued to influence young guitarists. His death in 1970, aged only twenty-seven when his fame was at its height, has long been rock's greatest unsolved mystery. But finally we learn where the responsibility lay for Jimi's lonely, squalid end.
'An engaging memorial to a rock revolutionary whose music, in contrast to many of his revered Sixties peers, retains much of its explosively thrilling voodoo power' The Times
PUBLISHERS WEEKLY
In this rollicking biography, Norman (Paul McCartney) follows the electric guitar god from hardscrabble Seattle boyhood to enormous fame and his 1970 martyrdom to rock-star excess. (The author's lengthy postmortem considers conspiracy theory suspects his manager, the mafia, the CIA before returning to the official line that he overdosed on sleeping pills and drowned in his vomit.) Norman styles Hendrix as a great Black crossover pioneer who founded heavy metal with his flamboyant stagecraft and use of feedback and other effects in his virtuosic solos, which saw him play guitars with his teeth and behind his back and then hump, burn, and smash his instruments in ritual sacrifice. (Offstage, Hendrix is more shy naif than rock demon in Norman's telling.) Norman combines colorful, energetic picaresque "It might have been a brilliant duet had not Morrison been helplessly drunk and ruined the recording by shouting I want to suck your cock' at Jimi until Janis Joplin subdued him by breaking a bottle over his head" with lush evocations of Hendrix's sound. (One solo "resembles a thrillride through some extraterrestrial cityscape, each gush of the slide like a glowing elevator, sibiliantly ascending or descending.") Norman's entertaining, psychedelically tinged portrait shows why Hendrix made such a deep impression on rock 'n' roll.
