Fingersmith
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- 10,99 €
Publisher Description
ONE OF THE NEW YORK TIMES 50 BEST THRILLERS OF THE 21ST CENTURY
"An absolute ripper of a tale. . .not just a twisty Gothic melodrama but a proto-feminist swashbuckler, brimming with queer eroticism and adventure."—The New York Times
“Superb storytelling … so suspenseful and twisting is the plot that for the last 250 pages, I read at breakneck speed.”—USA Today
“Deliciously brazen…a smart and seductive enchantment.”—Los Angeles Times
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.
With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.
The Handmaiden, a film adaptation of Fingersmith, directed by Park Chan-wook and starring Kim Tae-Ri, is now available.
APPLE BOOKS REVIEW
This lush, twisty, Victorian-style mystery blends crime, intrigue, and romance in a way only the author of Tipping the Velvet could manage. Raised in a den of thieves in grimy 1860s London, orphan Sue Trinder is enticed into a long con: become the trusted maid of sheltered young heiress Maud Lilly and subtly nudge her toward marrying the dashing swindler known as Gentleman in exchange for a share of Maud’s fortune. But as Sue and Maud grow closer, her loyalties begin to shift. With its richly descriptive prose, melodramatic surprises, and morally ambiguous characters, Fingersmith is marvellously Dickensian. But Sarah Waters slyly subverts the era’s appetite for titillation masked as shocked moral critique, giving the novel a distinctly erotic edge. Whether you’re a devotee of 19th-century British literature or just love a complex caper, this will pull you in.