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Taking the events and characters of the Iliad as his jumping- off point, Dan Simmons has created an epic of time travel and savage warfare. Travellers from 40,000 years in the future return to Homer's Greece and rewrite history forever, their technology impacting on the population in a godlike fashion.
This is broad scope space opera rich in classical and literary allusion, from one of the key figures in 1990s world SF. Ilium marks a return to the genre for one of its greats.
Hugo and Stoker winner Simmons (Hyperion) makes a spectacular return to large-scale space opera in this elegant monster of a novel. Many centuries in the future, Earth's small, more or less human population lives an enjoyable, if drone-like existence. Elsewhere, on some alternate Earth, or perhaps it's the distant past, the battle for Troy is in its ninth year. Oddly, its combatants, Hector, Achilles and the rest, seem to be following a script, speaking their lines exactly as Homer reported them in The Iliad. The Gods, who live on Olympus Mons on the planet Mars, may be post-humans, or aliens, or, well, Gods; it isn't entirely clear. Thomas Hockenberry, a late-20th-century professor of the classics from De Pauw University in Indiana, has, along with other scholars from his era, apparently been resurrected by the Gods. His job is to take notes on the war and compare its progress to Homer's tale, noting even the smallest deviations. Meanwhile, the "moravecs," a civilization of diverse, partially organic AIs clustered on the moons of Jupiter, have been disturbed by the quantum activity they've registered from the inner solar system and have sent an expedition to Mars to investigate. It will come as no surprise to the author's fans that the expedition's members include specialists in Shakespeare and Proust. Beautifully written, chock full of literary references, grand scenery and fascinating characters, this book represents Simmons at his best.