The Blind Assassin
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- 5,99 €
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- 5,99 €
Publisher Description
Winner of the Man Booker Prize
By the author of The Handmaid's Tale and Alias Grace
Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.
Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.
APPLE BOOKS REVIEW
Iris Chase—the wife of a despotic Toronto businessman—reflects on the events leading up to her younger sister Laura’s suicide back in 1945. Reflecting the tumultuous effects of World War II and the Great Depression on the home front, Canadian author Margaret Atwood’s Man Booker Prize–winning novel extends the boundaries of historical fiction. A tale within a tale, The Blind Assassin includes excerpts from a sci-fi novel inspired by the Chase sisters’ relationship with a charismatic Communist sympathizer. Atwood patiently uncovers the dark secrets and lies marring her aging protagonist’s life, building a haunting mystery that’s exquisitely written and full of fascinating details.
PUBLISHERS WEEKLY
Family secrets, sibling rivalry, political chicanery and social unrest, promises and betrayals, "loss and regret and memory and yearning" are the themes of Atwood's brilliant new novel, whose subtitle might read: The Fall of the House of Chase. Justly praised for her ability to suggest the complexity of individual lives against the backdrop of Canadian history, Atwood here plays out a spellbinding family saga intimately affected by WWI, the Depression and Communist witch-hunts, but the final tragedy is equally the result of human frailty, greed and passion. Octogenarian narrator Iris Chase Griffen is moribund from a heart ailment as she reflects on the events following the suicide in 1945 of her fey, unworldly 25-year-old sister, Laura, and of the posthumous publication of Laura's novel, called "The Blind Assassin." Iris's voiceDacerbic, irreverent, witty and cynicalDis mesmerizingly immediate. When her narration gives way to conversations between two people collaborating on a science fiction novel, we assume that we are reading the genesis of Laura's tale. The voices are those of an unidentified young woman from a wealthy family and her lover, a hack writer and socialist agitator on the run from the law; the lurid fantasy they concoct between bouts of lovemaking constitutes a novel-within-a-novel. Issues of sexual obsession, political tyranny, social justice and class disparity are addressed within the potboiler SF, which features gruesome sacrifices, mutilated body parts and corrupt, barbaric leaders. Despite subtle clues, the reader is more than halfway through Atwood's tour de force before it becomes clear that things are not what they seem. Meanwhile, flashbacks illuminate the Chase family history. In addition to being psychically burdened at age nine by her mother's deathbed adjuration to take care of her younger sibling, na ve Iris at age 18 is literally sold into marriage to a ruthless 35-year-old industrialist by her father, a woolly-minded idealist who thinks more about saving the family name and protecting the workers in his button factories than his daughter's happiness. Atwood's pungent social commentary rings chords on the ways women are used by men, and how the power that wealth confers can be used as a deadly weapon. Her microscopic observation transforms details into arresting metaphors, often infused with wry, pithy humor. As she adroitly juggles three plot lines, Atwood's inventiveness achieves a tensile energy. The alternating stories never slacken the pace; on the contrary, one reads each segment breathlessly, eager to get back to the other. In sheer storytelling bravado, Atwood here surpasses even The Handmaid's Tale and Alias Grace. BOMC main selection; author tour.
