- 12,99 €
The Island of Lost Maps tells the story of a curious crime spree: the theft of scores of valuable centuries-old maps from some of the most prominent research libraries in the United States and Canada. The perpetrator was Gilbert Joseph Bland, Jr., an enigmatic antiques dealer from South Florida, whose cross-country slash-and-dash operation had gone virtually undetected until he was caught in 1995–and was unmasked as the most prolific American map thief in history. As Miles Harvey unravels the mystery of Bland’s life, he maps out the world of cartography and cartographic crime, weaving together a fascinating story of exploration, craftsmanship, villainy, and the lure of the unknown.
Harvey himself sometimes seems obsessed as he explores the obsession of those who collect maps. Still, this is a challenging and erudite exploration of the explosion in "map culture" and the damage wrought by one determined con man with cartographic passions. Harvey's primary narrative (which originated as an article for Outside magazine) concerns the exploits of Gilbert Bland, a man who on the surface, according to Harvey, did indeed seem bland but who stole approximately $500,000 in antique maps from poorly secured rare-book libraries. Bland was apprehended in 1995 at Baltimore's Peabody Library; he was ultimately charged in several jurisdictions after numerous universities discovered extensive losses, but he plea-bargained for a light sentence. Harvey painstakingly reconstructs the map thief's various identities--for Bland, a "chameleon," had abandoned a number of spouses and children and had engaged in questionable business ventures. Thus is Harvey launched into a larger meditation on the lure of "terra incognita," both literal and metaphoric, whether of Bland's enigmatic life or of undiscovered continents. Harvey uses the Bland case to explore both cartographic history and the dangers of obsession. One collector he examines is controversial map megadealer Graham Arader, considered responsible for cartography's newfound commercialism. Harvey's pursuit of all possible tangents (he even visits a map factory) causes his narrative to become unwieldy at times. But he offers dry wit and a fine sense of the dark places in our contemporary landscape, and he successfully captures both the story of Bland's bizarre "map crime spree" and the underexamined history and politics of contemporary cartography.