1973 Nervous Breakdown
Watergate, Warhol, and the Birth of Post-Sixties America
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- 9,99 €
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- 9,99 €
Description de l’éditeur
1973 marked the end of the 1960s and the birth of a new cultural sensibility. A year of shattering political crisis, 1973 was defined by defeat in Vietnam, Roe v. Wade, the oil crisis and the Watergate hearings. It was also a year of remarkable creative ferment. From landmark movies such as The Exorcist, Mean Streets, and American Graffiti to seminal books such as Fear of Flying and Gravity's Rainbow, from the proto-punk band the New York Dolls to the first ever reality TV show, The American Family, the cultural artifacts of the year reveal a nation in the middle of a serious identity crisis. 1973 Nervous Breakdown offers a fever chart of a year of uncertainty and change, a year in which post-war prosperity crumbled and modernism gave way to postmodernism in a lively and revelatory analysis of one of the most important periods in the second half of the 20th century.
PUBLISHERS WEEKLY
According to CCNY assistant history professor Killen, 1973 was "a cultural watershed, a moment of major realignments and shifts in American politics, culture, and society," and he examines these transformations in a series of essays. Andy Warhol's Interview magazine chronicled America's obsession with celebrity culture, from its homage to screen icons like Marilyn Monroe to its sympathetic portrayal of gender-bending trash-rock band the New York Dolls. The year 1973 also saw the rise of Ted Patrick, who claimed to have deprogrammed over 100 young people who had fallen into the clutches of religious cults, and the transformation of Vietnam War POWs into heroes as a Watergate-embroiled Nixon sought to bask in their reflected glory. The best pieces focus on PBS's trailblazing reality TV show An American Family, and the media's progressive invasion of American lives. Disasters and hijackings made air travel a flash point for extreme fear. Although his prose is frequently opaque and stilted, and his selection of 1973 seems arbitrary (why not 1974, the year of Patty Hearst's kidnapping and Nixon's resignation?), the perceptive Killen sheds welcome light on our collective experience.
