A Draft of Light
Poems
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- 4,99 €
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- 4,99 €
Description de l’éditeur
A glorious new collection from one of our most distinguished poets.
Here are poems that explore the ways in which ordinary objects open doors to the more hidden, subconscious truths of our inner selves: a bird of “countless colors” calls to mind “the echo . . . / of an inner event / From my forgotten past”; a subway bee sting conjures up quick unlikely visits by the muses—a momentary awareness that is “as much of a / Gift from those nine sisters as / Is ever given.”
Other poems lay bare the imperfect nature of our memories: reality altered by our inevitably less accurate but perhaps “truer” recall of past events (“memory— / As full of random holes as any / Uncleaned window is of spots / Of blur and dimming—begins at once / To interfere”). Still others examine the dramatic changes in perspective we undergo over the course of a lifetime as, in the poem “When We Went Up,” John Hollander describes the varied responses he has to climbing the same mountain at different points in his life.
In all of the poems Hollander illuminates the fluid nature of physical and emotional experience, the connections between the simple things we encounter every day and the ways in which the meaning we attribute to them shapes our lives. Like the harmonious coming together of bandstand instruments on a summer afternoon, he writes, most of what we come to know in the world is “A dying moment / Of lastingness thenceforth / Ever not to be.”
Throughout this thought-provoking collection, Hollander reveals the ways in which we are constantly creating unique worlds of our own, “a draft of light” of our own making, and how these worlds, in turn, continually shape our most basic identities and truest selves.
PUBLISHERS WEEKLY
The title poem of Hollander's 19th book of poems announces that "light keeps one thing in the dark:/ The matter of its very origins." With its turn on a colloquial phrase ("in the dark"), its investigation of philosophical problems and its interest in unanswerable questions, the punning claim typifies this sometimes didactic but ultimately moving collection. The Yale-based poet has always made his wide learning known: formal agility and literary history are once again on display here are syllabics, deft haiku stanzas, virtuosic collations of off-rhyme and witty updates on the Romantic ballad, the medieval lament and the popular song of the sheet-music era. Half the volume might be classed as light verse one poem pursues "Allegories on the banks of the Nile," and another ends by asking "what's a 'meta-' for?" Yet the book shines when it takes up more serious concerns: the New York City of Hollander's childhood, which he recalls with delight, casts its retrospective light on old age, and some of the best stanzas use their wordplay to reflect on "what we have all been sentenced to, the full stop." Detractors might find too much language about language, but admirers will respond that here we see one of the smartest writers having fun and exploring, with elegance and gravity, his own life.