A Loaded Gun
Emily Dickinson for the 21st Century
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- 20,99 €
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- 20,99 €
Description de l’éditeur
A passionate and deeply researched reassessment of Emily Dickinson’s life and singular legacy in American arts and letters
We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote:
My Life had stood—a Loaded Gun—
…
Though I than He— may longer live
He longer must—than I—
For I have but the power to kill,
Without—the power to die—
Through interviews with contemporary scholars, close readings of Dickinson’s correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn’s literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today.
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Novelist and nonfiction author Charyn (The Secret Life of Emily Dickinson) presents a postmodernism-flavored study of Emily Dickinson's life and work. His lively reassessment draws on the work of other scholars, close readings of Dickinson's poems and letters, and vivid commentary on the artists she inspired. Joseph Cornell created shadow boxes based on her poems, and Joyce Carol Oates's futuristic short story "EDickinsonRepliLuxe" evokes the doll-like mystery of the only extant image of Dickinson a daguerreotype taken when she was 16. At the heart of Charyn's study is a quest to find out who Emily Dickinson really was. His answer is that she was not the reclusive virgin often pictured, but rather a woman of "Promethean ambition" who raged against a culture that had no place for unmarried, childless women. Looked upon as a "half-cracked village muse," she guarded her privacy fiercely so she could work, often at a feverish pace, reinventing the language of poetry. She wrote about volcanoes, physical passion, wild beasts, rape, madness, and the grave, and was "at war with language itself" as if on a quest "to tear apart the order and hierarchy of all things." For Charyn, Dickinson has no equal as a poet, except perhaps Shakespeare. No one else, he says, took the risks she did. Illus.
