A Question of Identity: The Proto-Giulio Characters in Michael Mirolla's Formal Logic of Emotion and Their Relationship to Future Giulios (Critical Essay)
Nebula 2009, Dec, 6, 4
-
- 2,99 €
-
- 2,99 €
Publisher Description
Introduction This article proposes to examine the connection (if any) and the implications of that connection or lack thereof between two characters, both named "Giulio," in Canadian author Michael Mirolla's 1992 short story collection The Formal Logic of Emotion. Specifically, the paper concentrates on two short stories in that collection: the opening one entitled "A Theory of Discontinuous Existence" and the closing one called "The Proper Country." The two stories mark the first time that the "Giulio" character appeared in Mirolla's writing, and serve as the introduction of what could be called the Ur--or Proto-Giulio from which other "Giulios" have cascaded down through the years.
新编英国文学选读(下)
2011
New Selected English Literature (Part 2)
2016
The Sinik’s Sneezes
2022
The Experience of a Lifetime: Philosophical Reflections on a Narrative Device of Ambrose Bierce (Critical Essay)
2002
'Mirror on Mirror Mirrored Is All the Show': Aspects of the Uncanny in Banville's Work with a Focus on Eclipse (John Banville) (Critical Essay)
2006
The Technique of the Mystery Story
2017
Maps in Michael Ondaatje's the English Patient (Critical Essay)
2008
Louise Bourgeois: An Existentialist Act of Self-Perception (Biography)
2007
Aspects of the Phono-Graphological Design in Soyinka's 'Faction.' (Wole Soyinka) (Critical Essay)
2007
Research Proposal and Thesis Writing: Narrative of a Recently Graduated Researcher in Applied Linguistics (Essay)
2008
A One State Solution for the Palestine-Israel Conflict: An Interview with Ali Abunimah (Interview)
2008
Almasy's Desire for Identity 'Erasure' in Michael Ondaatje's the English Patient (Critical Essay)
2008