A Thousand Ships
Shortlisted for the Women's Prize for Fiction
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- 5,99 €
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- 5,99 €
Description de l’éditeur
Shortlisted for the Women's Prize for Fiction
Powerfully told from an all-female perspective, in A Thousand Ships, classicist and author of Divine Might, Natalie Haynes retells the story of the Trojan War – putting the women, girls and goddesses at the centre of the story.
For fans of Madeline Miller’s The Song of Achilles and Pat Barker’s The Silence of the Girls.
'With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War' – Madeline Miller, author of Circe
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women embroiled in the legendary war.
'A many-layered delight' – The Guardian
'A gripping feminist masterpiece' – Deborah Frances-White, The Guilty Feminist
*Shortlisted for the Women's Prize for Fiction 2020
PUBLISHERS WEEKLY
The women of the Trojan War take center stage in this excellent take on the Greek classics from Haynes (The Ancient Guide to Modern Life). Hopping through nearly a dozen perspectives, Haynes provides an enthralling reimagining of the lives of women from both Troy and Greek culture. There is Calliope, the muse who resents the poets demanding she supply them with inspiration; Andromache, who goes from princess to spoil of war when her husband, Hector, is killed by Achilles; and Penelope, who writes biting letters to Odysseus, asking him why it is that he doesn't feel any urge to come home to her and their son. There are also the royal heroines, such as Clytemnestra, who seeks revenge against Agamemnon for sacrificing their daughter; and Helen, who is weary of being constantly blamed for her role in beginning the war and for plots and prophecies she has no power to stop. Cassandra, cursed with prophesies no one will ever believe, struggles to function when she knows exactly what will become of her and her family after the war. Haynes shines by twisting common perceptions of the Trojan War and its aftermath in order to capture the women's experiences. Readers who enjoyed Madeline Miller's Circe will want to take a look.
