Abyssinian Chronicles
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- 4,99 €
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- 4,99 €
Description de l’éditeur
Set in a tribal village during the years of the Idi Amin terror in Uganda, Abyssinian Chronicles takes us into the heart of Africa, vividly immersing us in the mesmerizing extremes of beauty and brutality, wisdom and ignorance, wealth and poverty, hope and despair that define the continent today. We come to intimately know an extended family rich in centuries-old tradition, and follow the unsentimental education of the boy who takes it all in, who learns, observes and teaches, and starts to feel the very earth moving under the African experience and the people he loves.
Filled with extraordinary characters, animated by a wicked sense of humour and guided by intense, clear-eyed compassion, this novel feels at once classic and unique.
‘As Rushdie’s Midnight’s Children was for modern India, Abyssinian Chronicles will likely prove to be a breakthrough book for Uganda’ Time Out US
‘A spectacular first novel. Epic, sprawling, brimming with life – and death’ Elle US
PUBLISHERS WEEKLY
Abyssinia may have become present-day Ethiopia, but the title of Isegawa's debut actually refers to Uganda--a "land of false bottoms where under every abyss there was another one waiting to ensnare people." Set in the postcolonial 1970s and '80s, when power struggles are the order of the day, the book is a bildungsroman following the life of narrator Mugezi Muwaabi, as he plots his own independence from tyrannical rulers (his parents) and capitalizes on his considerable natural resources of charm and intelligence. Isegawa clearly means for Mugezi's story to parallel Uganda's, so he devotes much of the book to an almost journalistic account of national politics--General Idi Amin's rise to power, and his subsequent ouster at the hands of deposed president Milton Obote. But apart from the intended echoes, these passages have little direct bearing on Mugezi's life, and sap the narrative of momentum and vitality. The novel is strongest when it concentrates on Mugezi's antics: he torments his mother by stealing the bobbin from her sewing machine, and breaks the will of one strict priest by smearing excrement on his treasured car. These and other scenes create a coming-of-age story that traces the shifting balance of power in any relationship. Isegawa's language is overheated at times, but it also yields gems, as when Mugezi's grandfather asks for a shave: "The razor crackled and filled with stubble as I dragged it across valleys and ridges. Birds chirped fussily in the tallest gray-skinned mtuba trees. They jumped up and down on one branch." Such keen observations go further toward depicting Uganda than the dry history lessons, but luckily there are many gorgeous passages throughout to offset the distancing effect of Isegawa's sometimes overextended reach. FYI: A Ugandan native, Isegawa is now a Dutch citizen living in Amsterdam. This book was originally published in the Netherlands in 1998.
