An Air That Kills
The Lydmouth Crime Series Book 1
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3,0 • 1 note
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- 4,49 €
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- 4,49 €
Description de l’éditeur
'Andrew Taylor is a master story-teller' Daily Telegraph
From the No.1 bestselling author of The Ashes of London and Fire of Court, this is the first instalment in the acclaimed Lydmouth series
Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby.
Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ...
'The most under-rated crime writer in Britain today' Val McDermid
'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times
'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out
'Andrew Taylor is a master story-teller' Daily Telegraph
PUBLISHERS WEEKLY
This engrossing launch of a series from Creasy Award winner Taylor (The Second Midnight) introduces Jill Francis, a heartsick London journalist visiting Philip, a former colleague, and his wife, Charlotte, in the postwar English countryside. In Lydmouth, Jill is caught up in a local police case involving the town ne'er-do-well's discovery of an old wooden box containing an infant's bones, a scrap of yellowed newsprint and a brooch. New CID Inspector Richard Thornhill questions Charlotte, whose family owns the newspaper the fragment matches, and Major Harcutt, who is compiling a history of Lydmouth. Then Harcutt is slain, leaving the ne'er-do-well as prime suspect in everyone's minds until Jill, who has been helping the major's daughter cope with her father's death, stumbles on the truth. Taylor subtly weaves the threads of this thoughtful, melancholy tale until they become an interlaced whole before the reader's eyes.
