An American Summer
Love and Death in Chicago
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- 11,99 €
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- 11,99 €
Description de l’éditeur
2020 J. ANTHONY LUKAS PRIZE WINNER
From the bestselling author of There Are No Children Here, a richly textured, heartrending portrait of love and death in Chicago's most turbulent neighborhoods.
The numbers are staggering: over the past twenty years in Chicago, 14,033 people have been killed and another roughly 60,000 wounded by gunfire. What does that do to the spirit of individuals and community? Drawing on his decades of experience, Alex Kotlowitz set out to chronicle one summer in the city, writing about individuals who have emerged from the violence and whose stories capture the capacity--and the breaking point--of the human heart and soul. The result is a spellbinding collection of deeply intimate profiles that upend what we think we know about gun violence in America. Among others, we meet a man who as a teenager killed a rival gang member and twenty years later is still trying to come to terms with what he's done; a devoted school social worker struggling with her favorite student, who refuses to give evidence in the shooting death of his best friend; the witness to a wrongful police shooting who can't shake what he has seen; and an aging former gang leader who builds a place of refuge for himself and his friends.
Applying the close-up, empathic reporting that made There Are No Children Here a modern classic, Kotlowitz offers a piercingly honest portrait of a city in turmoil. These sketches of those left standing will get into your bones. This one summer will stay with you.
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Journalist Kotlowitz (There Are No Children Here) examines the epidemic of violent crime in Chicago through the events of the summer of 2013, narrating the stories of victims and their families, social workers, and perpetrators. A high school student and former gang member's one-night spree of violence threatens to run his entire future off-course. A mother finds the strength to forgive her son's killer, arguing on his behalf in court. A teen haunted by a friend's death at a birthday party watches helplessly as another friend is gunned down. A man spends a "day of atonement" each year on the anniversary of the day he took a life, visiting with victims of violent crime. A witness to a teenager's death comes forward to tell the victim's mother that police officers shot her son and planted a gun at the scene. Kotlowitz has a ruminative, almost poetic sensibility, describing for example how "the acronym RIP... is everywhere... tattooed on people's bodies... scrawled on the sides of buildings. Embossed on T-shirts and jackets. It's as if these communities are piecing together the equivalent of a war memorial." The violence is made palpable but never romanticized. Kotlowitz's approach is empathetic in this a bold, unflinching depiction of an ever-lengthening crisis.
