An Odyssey: A Father, A Son and an Epic
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017
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- 7,99 €
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- 7,99 €
Description de l’éditeur
From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.
When eighty-one-year-old Jay Mendelsohn decides to enrol in the undergraduate seminar on the Odyssey that his son Daniel teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician’s unforgiving eyes, this return to the classroom is his ‘one last chance’ to learn about the great literature he’d neglected in his youth – and, even more, a final opportunity to understand his son.
But through the sometimes-uncomfortable months that follow, as the two men explore Homer’s great work together – first in the classroom, where Jay persistently challenges his son’s interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus’ legendary voyages – it becomes clear that Daniel has much to learn, too: for Jay’s responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn’s narrative comes to echo The Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home.
Rich with literary and emotional insight, An Odyssey is a renowned author-scholar’s most revelatory entwining yet of personal narrative and literary exploration.
PUBLISHERS WEEKLY
Homeric heroes offer resonant psychological parallels to a modern family in this beguiling memoir. Mendelsohn (The Lost: A Search for Six of the Six Million) recounts a freshman class on the Odyssey that he taught at Bard College with his father, Jay, an 81-year-old computer scientist, sitting in; the two followed up with an Odyssey-themed Mediterranean cruise. The result is a small gem of seminar-room slapstick as the author struggles to impart a scholarly gloss to his students' struggles with the text and his dad's crotchety outbursts (Jay disparages the wily Odysseus as less than a "real" hero because "he's a liar and he cheated on his wife" and because he gets his men killed, cries frequently, and is forever in need of rescue and makeovers by the gods). Gradually, Mendelsohn unwraps layers of timeless meaning in the ancient Greek poem: the muted battles seething inside the epic's many troubled marriages (which parallel the battles waged by his own parents); the reunion of Odysseus with the grown son who doesn't know him, their stilted unfamiliarity a template for the awkwardness lingering between the Mendelsohn father and son; and the longing to strike out for unknown parts coupled with the fear that holds men back. Mendelsohn weaves family history and trenchant literary analysis into a luminous whole.