Ash Wednesday
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- 4,49 €
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- 4,49 €
Description de l’éditeur
From the actor, director, and writer Ethan Hawke: a piercing novel of love, marriage, and renewal.
Jimmy is AWOL from the army, but—with characteristic fierceness and terror—he’s about to embark on the biggest commitment of his life. Christy is pregnant with Jimmy’s child, and she’s determined to head home, with or without Jimmy, to face up to her past and prepare for the future. Somehow, barreling across America from Albany to New Orleans to Ohio and Texas in a souped-up Chevy Nova, Christy and Jimmy are transformed from passionate but conflicted lovers into a young family on a magnificent journey.
Ash Wednesday is a novel of blazing emotion and remarkable grace, a tale that captures the intensity—the excitement, fear, and joy—of being on the threshold of the mysterious country of marriage and parenthood. Powerful, assured, large of heart, and punctuated by moments of tremendous humor, it represents, for Hawke the novelist, a major leap forward.
PUBLISHERS WEEKLY
Sure he can act (and direct), but can he write? Readers and critics remained undecided after the publication of Hawke's first novel, The Hottest State, but most will respond with an encouraging "yes" to his enjoyable second novel, which melds believable youthful introspection to a catchy road-novel plot. Jimmy Heartsock, AWOL from the army, and his pregnant girlfriend, Christy, are the young couple caught between love and disillusionment whose path to self-discovery is punctuated by passion ("This girl had a friggin' fireball for a heart") as well as endearing quirkiness. Jimmy is posted in Albany, N.Y., and waffling in his affections, when Christy gives him an ultimatum: she's going home to Texas and he can either come with her or forget about seeing her again. Taking the biggest gamble of his life, he decides to make the drive with her in his old Chevy Nova, risking dishonorable discharge. Christy, who is afraid to face who she is ("Good morning, fear.... You are my oldest friend") and only feels calm when she is moving, steps on her own path to self-renewal after meeting a blind man on a bus who speaks of change and the possibility of transcendence through God. The two protagonists must each learn to step out of themselves, find "gratitude in the face of loss or suffering" and submit to a love that is attuned to reality before they can find a home with and for each other. Hawke's text at times reads raw, but the novel's conversational tone, dual first-person narration and, above all, direct exploration of the simple truths of life and love make this a worthwhile tale and an honest one, sufficient to make most readers look forward to Hawke's next.
