Big Man
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4,0 • 2 notes
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- 3,99 €
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- 3,99 €
Description de l’éditeur
Big Man tells the fascinating story of Clarence Clemons, the larger-than-life saxophone player of the E Street Band. Clarence and his longtime friend, writer/producer Don Reo, take you on a thrilling ride from Clarence's childhood to the present, from beat-up vans to private jets, from boardwalk bars to stadiums and concert halls all over the world. It's a fitting account of a life lived to the full by a man who threw himself wholeheartedly into his music right up until his tragic death in 2011.
The book is filled with never-before-told stories about Clarence's life, his friendship with Bruce Springsteen, and his encounters with some of the most famous people in the world. Along the way, Clarence and Don spin their own fictional "legends" that add to the already-mystical lore of E Street.
An absolute must for all Springsteen fans, Big Man reveals the heart and soul of the man who brought so much music and love to so many people for so long.
PUBLISHERS WEEKLY
As the saxophonist for the E Street Band, the famed backup band for Bruce Springsteen, Clemons has lived a kind of pop music celebrity that's rare these days, a life spent rising and staying at the top of the album charts and performing before stadiums packed with tens of thousands of people. Along the way, he's mastered the art of telling yarns that are entertaining, whether plausible or dubious. It's a skill acquired during long hours waiting for gigs, traveling to gigs and recovering from gigs (Clemons now suffers from knee, hip and other joint ailments). His storytelling prowess is on display in this memoir, written with friend and producer Reo (My Wife and Kids; 'Til Death). The book is part episodic memoir (printed on white pages) and part bull session ("legends" printed on gray pages). The authors trade chapters about how the E Street Band got its name, how Spring-steen and Clemons met and why Big Man decided not to cut his hair, among other things. The intent is to give readers, especially fans, an idea of life behind the music by sharing the stories bandmates told each other. It's a novel approach to memoir that unfortunately skimps on serious insight and Springsteen's music and too often settles on nostalgia and celebrity name-dropping. Fans of Springsteen (who contributes a foreword to the book) will no doubt be more tolerant and eager to savor every page.
